Zeev Sternhell - Published Work

Published Work

  • "Fascist Ideology", Fascism, A Reader's Guide, Analyses, Interpretations, Bibliography, edited by Walter Laqueur, University of California Press, Berkeley, 1976. pp 315–376.
  • Ni droite ni gauche. L'idéologie fasciste en France, Paris: Éditions du Seuil, 1983; transl. Neither Right nor Left: Fascist Ideology in France, Princeton Univ. Press, 1995 (ISBN 0-691-00629-6)
  • The Birth of Fascist Ideology, with Mario Sznajder and Maia Asheri, published by Princeton University Press, 1989, 1994 (ISBN 0-691-03289-0) (ISBN 0-691-04486-4)
  • The Founding Myths of Israel: Nationalism, Socialism, and the Making of the Jewish State Princeton Univ. Press, 1999 (ISBN 0-691-00967-8; e-book ISBN 1-4008-0770-0) (abstract)
  • Maurice Barrès et le nationalisme français ("Maurice Barrès and French nationalism") – Bruxelles : Editions Complexe, 1985; originally published by A. Colin, 1972.
  • La droite révolutionnaire, 1885-1914. Les origines françaises du fascisme, Paris: Seuil, 1978 and Paris: Gallimard, « Folio Histoire », 1998.
  • "Paul Déroulède and the origins of modern French nationalism," Journal of Contemporary History, vol. 6, no. 4, 1971, pp. 46–70.
  • "The Roots of Popular Anti-Semitism in the Third Republic", in Frances Malino and Bernard Wasserstein, eds. The Jews in Modern France, Hanover and London: University Press of New England, 1985.
  • "The political culture of nationalism", in Robert Tombs, ed. Nationhood and Nationalism in France, from Boulanger to the Great War, 1889-1918, London: Harper Collins, 1991.
  • Les anti-Lumières: Une tradition du XVIIe siècle à la guerre froide, Paris: Fayard, 2006 and Paris: Gallimard, « Folio Histoire » (édition revue et augmentée), 2010 ; transl.: The Anti-Enlightenment Tradition, Yale University Press, 2009 (ISBN13 9780300135541; ISBN 0-300-13554-8)

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    Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.
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    The Great Spirit, who made all things, made every thing for some use, and whatever use he designed anything for, that use it should always be put to. Now, when he made rum, he said “Let this be for the Indians to get drunk with,” and it must be so.
    —Native American elder. Quoted in Benjamin Franklin, Autobiography, ch. 8 (written 1771-1790, published 1868)

    The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.
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