Notes
- Tracks 1, 5, 6, 9, and 10 are taken from the album, Dead Man's Party.
- Track 2 is taken from the album, Boingo Alive.
- Tracks 3 and 7 are taken from the album, Boi-ngo.
- Track 4 is taken from the album, Nothing to Fear.
- Track 8 is taken from the album, Dark at the End of the Tunnel.
- Track 11 is taken from the album, Good for Your Soul.
- On CD, some tracks (notably 3, 5 and 6) were exchanged for the Boingo Alive versions.
- Track 8 was used as track on the Ghostbusters II Soundtrack (1989)
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Read more about this topic: Stay (Oingo Boingo Album)
Other articles related to "note, notes":
... Note however that the specific criteria used in assigning a classification can vary widely from one country to another ... Country/System 18 ... Adult Other Notes Atp 18 ... N/A ACB G PG M MA15+ R18+ X18+ RC MJ/DEJUS L 18 ... N/A KT/EA KNT/ENA E A B C D X F CHVRS ...
... used on a continuo part to indicate that the notes should be played without harmony tempo time i.e ... touch on a note slightly longer than usual, but without generally altering the note's value ternary having three parts ... a rapid repetition of the same note, or an alternation between two or more notes (often an octave on the piano) ...
... with emphasis acceso ignited, on fire acciaccato broken down, crushed the sounding of the notes of a chord not quite simultaneously, but from bottom to top ... a very fast grace note that is "crushed" against the note that follows and takes up no value in the measure accompagnato accompanied i.e ... see sul ponticello in this list) amabile amiable, pleasant amoroso loving anacrusis a note or notes that precede the first full bar a pickup andamento used to refer to a fugue ...
Famous quotes containing the word notes:
“The germ of violence is laid bare in the child abuser by the sheer accident of his individual experience ... in a word, to a greater degree than we like to admit, we are all potential child abusers.”
—F. Gonzalez-Crussi, Mexican professor of pathology, author. “Reflections on Child Abuse,” Notes of an Anatomist (1985)
“There are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before; like the larks in this country, that have been singing the same five notes over for thousands of years.”
—Willa Cather (1873–1947)
“Lap me in soft Lydian airs,
Married to immortal verse,
Such as the meeting soul may pierce
In notes with many a winding bout
Of linked sweetness long drawn out,
With wanton heed and giddy cunning,
The melting voice through mazes running,
Untwisting all the chains that tie
The hidden soul of harmony;”
—John Milton (1608–1674)