Robert Pipon Marett - Note


  1. ^ Des Filles, une sorcière, Dame Toumasse et quelques autres R.-J. Lebarbenchon, 1980, Azeville

Read more about this topic:  Robert Pipon Marett

Other articles related to "note, notes":

History of Note Names
... have used the first fifteen letters of the alphabet to signify the notes of the two-octave range that was in use at the time ... When the compass of used notes was extended down by one note, to a G, it was given the Greek G (Γ), gamma ... word for scale, gamme is derived, and the English word gamut, from "Gamma-Ut", the lowest note in Medieval music notation.) The remaining five notes of the ...
Neume - Illustrations - Interpretive Marks
... accent when there are five or more notes in a neume group Horizontal episema (horizontal stroke) Used over a single note or a group of notes (as shown), essentially ignored in the Solesmes ... Liquescent neume (small note) Can occur on almost any type of neume usually associated with certain letter combinations such as double consonants, consonant pairs, or diphthongs in the text ...
Neume - Solesmes Notation
... of Gregorian chant, using varying styles of square-note neumes, circulated throughout the Catholic Church for centuries ... of many of the chants, and developed a standardized form of the square-note notation which was adopted by the Catholic Church and is still in use in publications such as ... As a general rule, the notes of a single neume are never sung to more than one syllable all three pitches of a three-note neume, for example, must all be sung on the same syllable ...

Famous quotes containing the word note:

    There’s not a note of mine that’s worth the noting.
    William Shakespeare (1564–1616)

    Return our hymn,
    like echo fling
    a sweet song,
    answering note for note.
    Hilda Doolittle (1886–1961)

    And songs climb out of the flames of the near campfires,
    Pale, pastel things exquisite in their frailness
    With a note or two to indicate it isn’t lost,
    On them at least. The songs decorate our notion of the world
    And mark its limits, like a frieze of soap-bubbles.
    John Ashbery (b. 1927)