Cinema and Internet
Major opera companies have begun presenting their performances in local cinemas throughout the United States and many other countries. The Metropolitan Opera began a series of live high-definition video transmissions to cinemas around the world in 2006. In 2007, Met performances were shown in over 424 theaters in 350 U.S. cities. La bohème went out to 671 screens worldwide. San Francisco Opera began prerecorded video transmissions in March 2008. As of June 2008, approximately 125 theaters in 117 U.S. cities carry the showings. The HD video opera transmissions are presented via the same HD digital cinema projectors used for major Hollywood films. European opera houses and festivals including the Royal Opera in London, La Scala in Milan, the Salzburg Festival, La Fenice in Venice, and the Maggio Musicale in Florence have also transmitted their productions to theaters in cities around the world since 2006, including 90 cities in the U.S.
The emergence of the Internet is also affecting the way in which audiences consume opera. In a first for the genre, in 2009 the British Glyndebourne Festival Opera company offered an online digital video download of its complete 2007 production of Wagner’s Tristan und Isolde.
In July 2012 premiered the very first community opera at the Savonlinna Opera Festival. Free Will was written, composed and visualized by group of volunteers on the Internet called Opera by You. Professional soloists, a 80 member opera choir, a symphony orchestra and a live audience of 2700 were part of this historic event when Free Will was presented at the medieval castle of Olavinlinna.
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Famous quotes containing the words cinema and and/or cinema:
“Strangers used to gather together at the cinema and sit together in the dark, like Ancient Greeks participating in the mysteries, dreaming the same dream in unison.”
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“If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.”
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