Stories
Ananse tales are some of the best-known in West Africa The stories made up an exclusively oral tradition, and indeed Ananse himself was synonymous with skill and wisdom in speech. It was as remembered and told tales that they crossed to the Caribbean and other parts of the New World with captives via the Atlantic slave trade. In the Caribbean Anansi is often celebrated as a symbol of slave resistance and survival. Anansi is able to turn the table on his powerful oppressors using his cunning and trickery, a model of behaviour utilised by slaves to gain the upper-hand within the confines of the plantation power structure. Anansi is also believed to have played a multi-functional role in slaves’ lives, as well as inspiring strategies of resistance the tales enabled slaves to establish a sense of continuity with their African past and offered them the means to transform and assert their identity within the boundaries of captivity. As historian Lawrence W. Levine argues in Black Culture and Consciousness, slaves in the New World devoted “the structure and message of their tales to the compulsions and needs of their present situation” (1977, 90).
Stories of Ananse became such a prominent and familiar part of Ashanti oral culture that the word Anansesem — "spider tales" — came to embrace all kinds of fables. One of the few studies that examines the role of Anansi folktales among the Ashanti of Ghana is R.S. Rattray’s Akan-Ashanti Folk-Tales (1930). The tales in Rattray’s collection were recorded directly from Ashanti oral storytelling sessions and published in both English and Twi.Peggy Appiah, who collected Ananse tales in Ghana and published many books of his stories, wrote: "So well known is he that he has given his name to the whole rich tradition of tales on which so many Ghanaian children are brought up – anansesem – or spider tales." Elsewhere they have other names, for instance Ananse-Tori in Suriname, Nansi in Guyana, and Kuent'i Nanzi in Curaçao.
Read more about this topic: Compé Anansi
Famous quotes containing the word stories:
“Though Margery is stricken dumb
If thrown in Madge’s way,
We three make up a solitude;
For none alive to-day
Can know the stories that we know
Or say the things we say....”
—William Butler Yeats (1865–1939)
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)
“All my stories are webs of style and none seems at first blush to contain much kinetic matter.... For me “style” is matter.”
—Vladimir Nabokov (1899–1977)