Some articles on attacking:

Australian Rules Football Positions - Half-back Line
... However, a true half-back flanker is more attacking and concentrates on rebounding the ball out of the defensive 50 ... their defensive duties in order to be more attacking ... When a half-back flanker is attacking, they play like a wing-back in soccer (or an attacking full-back), and if they are more defensive then they play like a traditional full-back in soccer ...
Andriy Biba - Playmaker
... Biba is acknowledged as one of the greatest attacking midfielders Eastern Europe has ever produced ... as 'Bobby Charlton did in Alf Ramsey's England side' as an advanced attacking midfielder moving the ball around the attacking third with a howitzer shot ...
Cofie Bekoe - Career - Position
... Bekoe is a Midfield Allrounder, he plays as Central Attacking Midfield, Left Attacking Midfield, Right Attacking Midfield sometimes as Right Forward, Striker ...
Raul Meireles - Playing Style
... His versatility is marked by him playing at both a deep and attacking role in the middle of the field, depending of the players available and coaches' strategies ... as a defensive midfielder, but some tactical factors saw him make progress as an attacking midfielder ... Paulo Bento was appointed as the Portuguese head coach in 2010, Meireles, who was initially an attacking midfielder at the national team, started playing as a defensive ...

Famous quotes containing the word attacking:

    In the world there is nothing more submissive and weak than water. Yet for attacking that which is hard and strong nothing can surpass it.
    Lao-Tzu (6th century B.C.)

    I do not believe in lawyers, in that mode of attacking or defending a man, because you descend to meet the judge on his own ground, and, in cases of the highest importance, it is of no consequence whether a man breaks a human law or not. Let lawyers decide trivial cases.
    Henry David Thoreau (1817–1862)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)