A rhythm section is a collection of musicians who make up a section of instruments (generally within a modern small musical ensemble, such as a jazz band) which provides the accompaniment section of the music, giving the music its rhythmic texture and pulse, also serving as a rhythmic reference for the rest of the band. A rhythm section can be found in many other types of modern musical ensembles besides jazz, such as country, blues, and rock. In modern rock music, a rhythm guitarist is a guitarist who specializes in playing rhythmic and chordal (as opposed to melodic and leading) sections, sometimes consisting simply of repeated quaver (eighth-note) power chords, though not necessarily limited to such. In many forms of music, a high quality rhythm section can potentially add much to the quality of the finished product.
A standard rhythm section comprises a keyboard instrument and/or guitar, a double bass or electric bass, and drums.
The instruments used in a rhythm section vary according to the style of music and era. Modern pop, rock and jazz bands usually have a rhythm section which consists of a drummer, a bass player, and one or more chordal instruments (e.g., piano, guitar, etc.). The term "rhythm section" may also refer to the instruments in this group.
Although rhythm sections spend much of the time providing backing parts for songs, in some cases, they may provide other musical roles. In some songs or styles of music, instruments from the rhythm section are called upon to play soloistic roles on occasion (e.g., improvised solos or solo breaks) or play a melodic role (e.g., a guitarist may play a lyrical countermelody behind a singer). Since rhythm sections are generally providing the background music for lead instruments and solo singers, rhythm sections are typically not as prominent as a singer or soloist. However, since rhythm sections provide the underpinning for a good performance by the lead instruments and vocalists, good rhythm sections are valued in the music industry.
Other articles related to "rhythm section, rhythm sections, rhythm, section":
... Not all rhythm sections follow the standard model of "drummer-bassist-chordal instrument" ... In bands without a drummer, one or more instruments from the rhythm section often use playing styles which replace the roles of the drumkit—that is ... plays chop chords on the off-beats, with the banjo also keeping a steady eighth note rhythm ...
... Rick Diamond Artwork Garey Goss Technical staff Terry Spackman Atlanta Rhythm Section Current members/ Former members Alan Accardi Andy Anderson Barry Bailey Brendan O'Bri ... Williamson Steve Crosan Steve Stone Tommy Stribling Discography Atlanta Rhythm Section (1972) Back Up Against the Wall (1973) Third Annual Pipe Dream (1974) Dog Days (1975) Red Tape (1976) A Rock and Roll ...
... John - Keyboards, Vocals, Rhythm section Hugh McCracken - Guitar, Rhythm section John Tropea - Guitar, Rhythm section Will Lee - Bass, Rhythm section Steve Gadd - Drums, Rhythm ... John - Horn arrangements, Rhythm arrangements Hugh McCracken - Horn arrangements, Rhythm arrangements Claus Ogerman - String arrangements, Conductor ...
... tinge,' stomps, breaks, stoptime, backbeat, two-beat, four-beat, a complete suspension of the rhythm section during the piano solo, riffs, rich variations of melody, and dynamics of volume, all of the elements of ... response (iii) clarinet solo Interlude 4 bars, for full ensemble B section in E♭ Seven 20 bar choruses (i) Full ensemble with trumpet and trombone break (ii) clarinet solo (iii) piano solo (iv) trumpet solo stop-t ... During the A section chorus, the chord progression passes through the relative minor ...
Famous quotes containing the words section and/or rhythm:
“Personally I think were over-specialized. Why its getting so we have experts who concentrate only on the lower section of a specimens left ear.”
—Martin Berkeley, and Jack Arnold. Prof. Clete Ferguson (John Agar)
“Great is the art,
Great be the manners, of the bard.
He shall not his brain encumber
With the coil of rhythm and number;
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme.
Pass in, pass in, the angels say,”
—Ralph Waldo Emerson (18031882)