Experimental music refers, in the English-language literature, to a compositional tradition which arose in the mid-20th century, applied particularly in North America to music composed in such a way that its outcome is unforeseeable. Its most famous and influential exponent was John Cage (Grant 2003, 174). More loosely, the term "experimental" is used in conjunction with genre names to describe music within specific genres that pushes against their boundaries or definitions, or else whose approach is a hybrid of disparate styles, or incorporates unorthodox, new, distinctly unique ingredients (Anon. a). Similarly, it has sometimes been used to describe "transethnic" music: the mixture of recognizable music genres. A quite distinct sense was current in the late 1950s to describe computer-controlled composition, and the term at that time also was sometimes used for electronic music and musique concrète. "Experimental music" has also been used in music journalism as a general term of disapprobation for music departing from traditional norms.
Other articles related to "experimental music, experimental, music":
... century, typically in the post-World War II era, as composers began to explore more experimental compositional techniques and nonstandard use of musical instruments (including the voice) ... example of the use of screaming vocals in experimental music ... Experimental music genres often feature screamed vocals if vocals are employed in the music, as a form of alternative expression rather than conventional singing ...
... not normally utiliized in classical or popular music, such as moaning, howling, vocal fry, overtone singing, screaming, death growls, or making a clicking noise ... Creating experimental musical instruments for enhancing the timbre of compositions and exploring new techniques or possibilities ...
... Silence Lectures and Writings is a book by American experimental composer John Cage (1912–1992), first published in 1961 by Wesleyan University Press ... as follows "Foreword" (1961) "Manifesto" (1952) "The Future of Music Credo" (1937) "Experimental Music" (1957) "Experimental Music Doctrine" (1955) "Composition as Process. 4" (1952) "To Describe the Process of Composition Used in Music for Piano 21–52" (1957) "Forerunners of Modern Music" (1949) "History of Experimental Music in the United States" (1959 ...
... Andrew Lonsdale began producing electronic and experimental music in Rockhampton, Queensland, Australia in 1980, and after relocating to Sydney in 1981, became part of the early electronic/industr ... draws on influences from the Australian experimental underground, as well as techniques from dub, improvisation, industrial music, musique concrète, montage / cut-up, and environmental soundscaping ... Browning Mummery has been included on the 2010 CD compilation Artefacts of Australian experimental music volume II 1973-1984 (Shame File Music), and is increasingly regarded as a ‘quiet pioneer’ of ...
Famous quotes containing the words music and/or experimental:
“From where Pans cavern is
Intolerable music falls.
Foul goat-head, brutal arm appear,
Belly, shoulder, bum,
Flash fishlike; nymphs and satyrs
Copulate in the foam.”
—William Butler Yeats (18651939)
“If we take in our hand any volume; of divinity or school metaphysics, for instance; let us ask, Does it contain any abstract reasoning concerning quantity or number? No. Does it contain any experimental reasoning, concerning matter of fact and existence? No. Commit it then to flames: for it can contain nothing but sophistry and illusion.”
—David Hume (17111776)