Works
- Mechanical Paradise (1988/1990)
- HROBONJOUR (1992)
- Artwart (1997)
- Skarabeus (1997)
- Memory 2 / Unpowdered painting (1998)
- Mandala 4 / Black (1997/2000)
- Geld macht frei (2001)
- Mandala 5 (2001)
- Poppy Seed Field (2001/02)- Monochrome painting
- CLEANMONEY (2002)
- Mandala 15 (2003)
- GODSAVEUS (2003)
- The Art of kill (2004)
- WETRUSTIN (2004–07)
- Treptomachia. EN – A / How to domesticate the English language (2005/06)
- Treptomachia. DE – B / How to domesticate the German language (2006)
- WARTERAUM (2007)
- WARTEZEIT (2007)
- SUCHARATOLEST (2008)
- SLOVENSKY (2006/09)
- BESTEHLEN (2007/09)
- BESTOCKEN (2007/09)
- EINEMU (2011)
- Treptomachia.En - Wart (2011)
- Treptomachia.Sk - Vanitas (2011)
- Art after Poetry 6 / IAMAPHERIPHERALARTIST (2011–12)
- Art after Poetry 7 / IAMAPSEUDOCONCEPTUALARTIST (2012)
- Art after Poetry 8 / IAMACHECHEN (2012)
- WHYENTARTAINMENT, 2013
Read more about this topic: Blažej Baláž
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“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
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“I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
—Ralph Waldo Emerson (1803–1882)