Virtual Theatre Organ

Some articles on virtual theatre organ, theatre organ, theatre, organ, virtual:

New Vs. Original Technology - Virtual Theatre Organ
... Recently, a virtual theatre organ called the MidiTzer was developed by Jim Henry ... The MidiTzer makes the theatre organ sound and experience convenient for home setup and portable for use at silent film shows where a theatre pipe organ is not available ... Predating MidiTzer is the Linux platform GENPO virtual organ project ...
Yaron Lifschitz
... Yaron Lifschitz is an Australian theatre director most notable for his involvement in the circus arts ... over 50 productions including mainstage theatre, physical theatre, large scale events and opera ... He was first artistic director of the Australian Museum's Theatre Unit a position he held for five years ...
IMAX - Gallery
... The Cinesphere in Toronto, the first IMAX theatre in the world The iconic golden snail IMAX at Taman Mini Indonesia Indah, Jakarta, Indonesia, since 1975 Prasads IMAX Theater, at Hyderabad, India IMAX 3D at ... Air Force – Dayton, Ohio Imax21-1.jpg The 21 Cineplex IMAX theatre in Jakarta, Indonesia ...
Augusto Boal - Published Works - Games For Actors and Non-Actors (London: Routledge, 1992; Second Edition 2002)
... In contrast to Theatre of the Oppressed, it contains little academic theory and many practical examples for drama practitioners to use even if not practicing theatre that is related to Boal's ... It has been influential in the development of Community Theatre and Theatre in Education (T.I.E.) practices worldwide, especially in Europe and South America ...

Famous quotes containing the words organ, virtual and/or theatre:

    “In that reconciling of God and Mammon which Mrs. Grantly had carried on so successfully in the education of her daughter, the organ had not been required, and had become withered, if not defunct, through want of use.”
    —Anthony Trollope (1815–1882)

    “Neither dead nor alive, the hostage is suspended by an incalculable outcome. It is not his destiny that awaits for him, nor his own death, but anonymous chance, which can only seem to him something absolutely arbitrary.... He is in a state of radical emergency, of virtual extermination.”
    —Jean Baudrillard (b. 1929)

    “For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
    —Sarah Bernhardt (1844–1923)