Culture
See also: Ukrainian cultureUkrainian customs are heavily influenced by Christianity, which is the dominant religion in the country. Gender roles also tend to be more traditional, and grandparents play a greater role in raising children than in the West. The culture of Ukraine has been also influenced by its eastern and western neighbours, which is reflected in its architecture, music and art.
The Communist era had quite a strong effect on the art and writing of Ukraine. In 1932, Stalin made socialist realism state policy in the Soviet Union when he promulgated the decree "On the Reconstruction of Literary and Art Organisations". This greatly stifled creativity. During the 1980s glasnost (openness) was introduced and Soviet artists and writers again became free to express themselves as they wanted.
The tradition of the Easter egg, known as pysanky, has long roots in Ukraine. These eggs were drawn on with wax to create a pattern; then, the dye was applied to give the eggs their pleasant colours, the dye did not affect the previously wax-coated parts of the egg. After the entire egg was dyed, the wax was removed leaving only the colourful pattern. This tradition is thousands of years old, and precedes the arrival of Christianity to Ukraine. In the city of Kolomya near the foothills of the Carpathian mountains in 2000 was built the museum of Pysanka which won a nomination as the monument of modern Ukraine in 2007, part of the Seven Wonders of Ukraine action.
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Famous quotes containing the word culture:
“We now have a whole culture based on the assumption that people know nothing and so anything can be said to them.”
—Stephen Vizinczey (b. 1933)
“The local is a shabby thing. Theres nothing worse than bringing us back down to our own little corner, our own territory, the radiant promiscuity of the face to face. A culture which has taken the risk of the universal, must perish by the universal.”
—Jean Baudrillard (b. 1929)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)