Background
Zellweger’s background is a combination of formal education and extensive research in the fields of Psychology, Pedagogy, Semiotics and Logic. In 1949, Zellweger attended a summer seminar at the Institute of General Semantics with Alfred Korzybski. In 1949–52, still in the era of Robert M. Hutchins and the Great Books Program, he earned his undergraduate degree at the University of Chicago. In 1975–76, he spent a year at the Biological Computer Laboratory, University of Illinois at Urbana-Champaign, under the direction of Heinz von Foerster. In 1982, while on sabbatical leave at the Peirce Edition Project, in Indianapolis (IUPUI), he examined and carefully reordered a 900 page section of manuscripts written by Charles Sanders Peirce entitled “The Simplest Mathematics” (1902). In 1989, he served the Peirce Edition Project again when he added to the proper sequencing of specific sections of Peirce’s extensive manuscripts. These multidisciplinary experiences contributed to the development, over a forty year period, of his X-stem Logic Alphabet. Zellweger has been a respected academic speaker and author, especially in the fields of Semiotics and Education.
Read more about this topic: Shea Zellweger
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Famous quotes containing the word background:
“I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.”
—Lyndon Baines Johnson (1908–1973)
“In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.”
—Emma Goldman (1869–1940)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)