Shades of Black: The Conrad Black Story is a 2006 drama about ambition, love, betrayal and greed. The film chronicles the private and public struggles of Lord Conrad Black, one of the world's most controversial press barons.
Read more about Shades Of Black: The Conrad Black Story: Cast, 2007 Gemini Awards
Famous quotes containing the words shades of, shades, conrad, black and/or story:
““... So it’s plain to be discerned
That the shades of holy men
Who have failed, being weak of will,
Pass the Door of Birth again,
And are plagued by crowds, until
They’ve passion to escape.””
—William Butler Yeats (1865–1939)
“Every man who has lived for fifty years has buried a whole world or even two; he has grown used to its disappearance and accustomed to the new scenery of another act: but suddenly the names and faces of a time long dead appear more and more often on his way, calling up series of shades and pictures kept somewhere, “just in case” in the endless catacombs of the memory, making him smile or sigh, and sometimes almost weep.”
—Alexander Herzen (1812–1870)
“His moving impulse is no flabby yearning to teach, to expound, to make simple; it is that “obscure inner necessity” of which Conrad tells us, the irresistible creative passion of a genuine artist, standing spell-bound before the impenetrable enigma that is life, enamoured by the strange beauty that plays over its sordidness, challenged to a wondering and half-terrified sort of representation of what passes understanding.”
—H.L. (Henry Lewis)
“We black women must forgive black men for not protecting us against slavery, racism, white men, our confusion, their doubts. And black men must forgive black women for our own sometimes dubious choices, divided loyalties, and lack of belief in their possibilities. Only when our sons and our daughters know that forgiveness is real, existent, and that those who love them practice it, can they form bonds as men and women that really can save and change our community.”
—Marita Golden, educator, author. Saving Our Sons, p. 188, Doubleday (1995)
“From the beginning, the placement of [Clarence] Thomas on the high court was seen as a political end justifying almost any means. The full story of his confirmation raises questions not only about who lied and why, but, more important, about what happens when politics becomes total war and the truth—and those who tell it—are merely unfortunate sacrifices on the way to winning.”
—Jane Mayer, U.S. journalist, and Jill Abramson b. 1954, U.S. journalist. Strange Justice, p. 8, Houghton Mifflin (1994)