Sergio Franchi - Early Life in Italy

Early Life in Italy

Sergio was one of three children born to a Neapolitan father and Ligurian (Genoa) mother, Sergio, Mirella, and Fausta (born 17 years after the older two) were all born in the Lombardy District. This includes Milan, Cremona, and the smaller village of Codogno - where he was born. Some geographical over-simplifications resulted in listing Sergio's birthplace as Cremona, and Fausta's (Dana Valery) birthplace as "near Milan." Because the family also lived in Cremona, Franchi called both Cogdno and Cremona his "hometown" at different periods in his life. Sergio Franchi stated for the record several times in later life that his birthplace was Codogno, in the province of Lodi, An uncle who owned a vineyard in Alassio (near Sanremo on the Italian Riviera) was instrumental in family life on various occasions.

As a child, Sergio would sing for the family with his father, who played the piano and guitar. At age ten, he sang a comic role as a hunchback in a school play. Young Franchi formed a three-piece band at age sixteen to earn pocket money, and then later sang with a male vocal group in local jazz clubs. But,in spite of his musical talents, he soon followed his father's wishes that he pursue a career in engineering. Franchi pursued, but did not finish this training. The senior Galli had been a successful businessman who owned several shops, but lost all of his assets during World War II and the German occupation. After the war, he became friendly with a Captain in the South African medical corps who was stationed nearby. He soon followed the officer's suggestion that South Africa would be a land of more opportunity, and he immigrated to Johannesburg. The family followed in 1947 (Fausta was four years old) when Sergio completed his compulsory military service at age twenty-one.

Read more about this topic:  Sergio Franchi

Famous quotes containing the words early, life and/or italy:

    Foolish prater, What dost thou
    So early at my window do?
    Cruel bird, thou’st ta’en away
    A dream out of my arms to-day;
    A dream that ne’er must equall’d be
    By all that waking eyes may see.
    Thou this damage to repair
    Nothing half so sweet and fair,
    Nothing half so good, canst bring,
    Tho’ men say thou bring’st the Spring.
    Abraham Cowley (1618–1667)

    So that the life of a writer, whatever he might fancy to the contrary, was not so much a state of composition, as a state of warfare; and his probation in it, precisely that of any other man militant upon earth,—both depending alike, not half so much upon the degrees of his WIT—as his RESISTANCE.
    Laurence Sterne (1713–1768)

    When intimacy followed love in Italy there were no longer any vain pretensions between two lovers.
    Stendhal [Marie Henri Beyle] (1783–1842)