Other Media
Razor Ramon HG made a small cameo in the May 2006 chapter of Gantz (chapter 233), shown on a television in Kurono Kei’s apartment. He also made a small cameo in episode 12 of The Melancholy of Haruhi Suzumiya, at 2:29, with Akihiro Miwa. A picture of him is shown in Ğ. In addition, a reference to Razor Ramon HG is made in Chapter 2 of the manga "Asu no Yoichi", with a character attempting to silence someone much like HG would with "Sei!"
Sumitani released his first single entitled "Young Man" on 8 February 2006, which is a Japanese rendition of the Village People’s song "YMCA."
He has also appeared in several television programs. HG (as himself) portrayed a gym teacher in the high school episode of the batsu game series from the Japanese variety show Gaki no Tsukai. He also did a cameo on the set of Hana Yori Dango. Razor Ramon was a contestant on Viking: The Ultimate Obstacle Course, even making it to the final and finished in 2nd place. He was featured on The Soup’s "Souper Fantastic Ultra Wish Time." He was featured on Lost in Tokyo, a Dutch and Flemish game show. He has also appeared in multiple episodes of Jonathan Ross' Japanorama on the BBC. In May 2009, He made an appearance in the comical Drama, Atashinchi no Danshi, where his character was in love with one of the male characters named Fuu. There were repeated shoots of his catch phrase "Fuuuu!" while he walked round the family house in search of Fuu.
Hard Gay, dressed differently, makes a cameo as a construction worker in the game Freshly-Picked Tingle's Rosy Rupeeland. After he fixes one of the bridges for Tingle, he proceeds to do his trademark pelvic thrusts while a smooth jazz style song plays in the background.
Read more about this topic: Masaki Sumitani
Famous quotes containing the word media:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)