Career
Suárez made her acting debut in the television series Rincón de Luz (2003), created by Cris Morena.
The year later, she had a small role in television series Floricienta, also created by Morena. Recurring roles in Amor Mío and Amo de Casa followed in 2005 and 2006.
In 2007, Suárez landed the role of Jazmín "Jaz" Romero in Morena's series Casi Ángeles, which achieved international success. She also became a member of successful music group Teen Angels, along with Casi Ángeles co–star Lali Espósito, Nico Riera, Gastón Dalmau and Peter Lanzani. In 2011, Eugenia left Teen Angels due to personal reasons and was replaced by castmate Rochi Igarzábal.
In 2011 enters the cast of Los unicos, the display of El Trece, starring opposite Mariano Martinez, Nicolas Cabre Nicolas Vazquez and Griselda Sciliani. It is part of the strip until 2012, in his second season. Later stars opposite Nicolas Pauls the miniseria of Cosmopolitan, 30 días juntos.
In 2013 returns to work in Pol-ka in the new comedy Solamente vos, with Adrian Suar, Natalia Oreiro and Lali Esposito.
Read more about this topic: María Eugenia Suárez
Famous quotes containing the word career:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)