Magnetic Tape Sound Recording
The use of magnetic tape for sound recording originated around 1930. Magnetizable tape revolutionized both the radio broadcast and music recording industries. It gave artists and producers the power to record and re-record audio with minimal loss in quality as well as edit and rearrange recordings with ease. The alternative recording technologies of the era, transcription discs and wire recorders, could not provide anywhere near this level of quality and functionality. Since some early refinements improved the fidelity of the reproduced sound, magnetic tape has been the highest quality analog sound recording medium available. However, as of the first decade of the 21st century, analog magnetic tape is largely being replaced by digital recording technologies for most sound recording purposes.
Prior to the development of magnetic tape, magnetic wire recorders had successfully demonstrated the concept of magnetic recording, but they never offered audio quality comparable to the recording and broadcast standards of the time. Some individuals and organizations developed innovative uses for magnetic wire recorders while others investigated variations of the technology. One particularly important variation was the application of an oxide powder to a long strip of paper. This German invention was the start of a long string of innovations that have led to present day magnetic tape recordings.
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Famous quotes containing the words magnetic, tape, sound and/or recording:
“We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate.”
—Henry David Thoreau (18171862)
“I could buy one
Tape and get another free. I accept- Ed the deal, paid for one tape and
Chose a free one. But since Ive been
Repeatedly billed for my free tape.”
—John Ashbery (b. 1927)
“The hills are alive with the sound of music.”
—Oscar Hammerstein II (18951960)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (18701942)