1930–1939
- Andromeda (1930)
- The Average Bureaucrat (1930)
- The Bleeding Roses (1930)
- Chocolate (1930)
- Consequences: Dalí, Gala Eluard, Valentine Hugo, André Breton (1930)
- The Feeling of Becoming (1930)
- The Font (1930)
- The Ghost of the Evening (1930)
- Gradiva (Study for "The Invisible Man") (1930)
- The Great Masturbator – Frontispiece for "The Visible Woman" (1930)
- The Hand (1930)
- Head of Hair (1930)
- Invisible Sleeping Woman (1930)
- Invisible Sleeping Woman (1930)
- Oedipus Complex (1930)
- Paranoiac Woman-Horse (1930)
- Portrait of Mr. Emilio Terry (unfinished) (1930)
- Premature Ossification of a Railway Station (1930)
- Pyre. Poster Design for the th Anniversary of the French Communist Party (1930)
- The Red Tower (Anthropomorphic Tower) (1930)
- Study for "The Dream" (1930)
- Study for "Invisible Sleeping Woman, Horse, Lion" (1930)
- Study for "Invisible Sleeping Woman, Horse, Lion" (1930)
- Tactile Cinema (1930–31)
- Untitled – Feminine Nude – Frontispiece of "La Femme Visible" (1930)
- Vertigo (1930)
- William Tell (1930)
- Board of Demented Associations (Fireworks) (1931)
- Combinations (or The Combined Dalínian Phantasms: Ants, Keys, Nails) (1931)
- Diurnal Illusion: the Shadow of a Grand Piano Approaching (1931)
- The Dream (1931)
- Erotic Drawing (1931)
- Figure Clock (1931)
- Gradiva (1931)
- Gradiva Finds the Anthropomorphic Ruins (1931)
- Landscape (1931)
- Le Spectre et le Fantome (1931)
- Mme. Reese (1931)
- The Old Age of William Tell (1931)
- Olive (1931)
- On the Seashore (1931)
- Paranoiac Visage – Postcard Sent by Picasso to Dalí (1931)
- Partial Hallucination. Six apparitions of Lenin on a Grand Piano (1931)
- The Persistence of Memory (1931)
- Portrait of Gala (1931)
- Remorse or Sunken Sphinx (1931)
- Shades of Night Descending (1931)
- Solitude (1931)
- Symbiosis of a Head of Seashells (1931)
- Untided (William Tell and Gradiva) (1931)
- Untitled (1931)
- Untitled – Erotic Drawing (1931)
- Vegetable Metamorphosis (1931)
- Woman Sleeping in a Landscape (1931)
- They Were There (1931)
- Agnostic Symbol (1932)
- Anthropomorphic Bread (1932)
- Anthropomorphic Bread (1932)
- Automatic Beginning of a Portrait of Gala (unfinished) (1932)
- The Average Fine and Invisible Harp (1932)
- Babaouo – Publicity Announcement for the Publication of the Scenario of the Film (1932)
- The Birth of Liquid Desires (1932)
- The Birth of Liquid Fears (1932)
- Detail of "Meditation on The Harp" (1932–34)
- Diurnal Fantasies (1932)
- The Dream Approaches (1932–33)
- Eggs on the Plate Without the Plate (1932)
- Eggs on the Plate Without the Plate (1932)
- Figure Study for "William Tell" (1932)
- Frontispiece for "Le Revolver Ii, Cheveux Blancs" by André Breton (1932)
- Gradiva (1932)
- The Invisible Man (1932)
- The Knight at the Tower (1932)
- The Meeting of the Illusion and the Arrested Moment – Fried Eggs Presented in a Spoon (1932)
- Memory of the Child-Woman (1932)
- The Mysterious Sources of Harmony (1932–33)
- Nostalgia of the Cannibal (1932)
- Ordinary French Loaf with Two Fried Eggs Riding Without a Plate (1932)
- Paranoaic Metamorphosis of Gala's Face (1932)
- Phosphene of Laporte (1932)
- Portrait of the Viscountess Marie-Laure de Noailles (1932)
- Portrait of Gala (1932–33)
- Preliminary Study for "Portrait of Vicomtesse Marie-Laure Cle Noailles" (1932)
- Studies for "Weaning of Furniture-Nutrition" (1932–33)
- Study for the Nurse in "The Weaning of Furniture-Nutrition" (1932–33)
- Study for "Large Painting" (1932)
- Study for "Meditation on The Harp" (1932–33)
- Study for "Memory of the Child-Woman" (1932)
- Suez (1932)
- Surrealist Architecture (1932)
- Surrealist Essay (1932)
- Surrealist Object Gauge of Instantaneous Memory (1932)
- The True Painting of "The Isle of the Dead" by Arnold Bocklin at the Hour of the Angelus (1932)
- Untitled (1932)
- Untitled (Erotic Drawing) (1932)
- Untitled – Cyclist with a Loaf of Bread on His Head (1932)
- Untitled – Female Figure with Catalonian Bread (1932)
- The Veiled Heart (1932)
- William Tell, Gradiva and The Average Bureaucrat (1932)
- Ambivalent Image (1933)
- Apparition of My Cousin Carolineta on the Beach at Rosas (1933)
- The Architectural Angelus of Millet (1933)
- Average Atmospherocepalic Bureaucrat in the Act of Milking a Cranial Harp (1933)
- Bureaucrat and Sewing Machine – Illustration for "Les Chants de Maldoror" (1933)
- The Bust of a Retrospective Woman (1933)
- Cannibalism of Objects (inscribed: Meat Glass, Meat Aeroplane, Meat Spoon, Meat Watch, Meat Head) (1933)
- Cannibalism. Illustrations for "Les Chants De Maldoror" by Lautreamont (1933)
- The Enigma of William Tell (1933)
- Flesh Aeroplane. Illustration for "Les Chants De Maldoror" by Lautreamont (1933)
- Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses (1933)
- Geological Destiny (1933)
- Gradiva (1933)
- Illustration for Les Chants de Maldoror by the Count of Lautreamont (1933–34)
- The Judges (1933)
- Knight of Death (variant) (1933)
- Myself at the Age of Ten When I Was the Grasshopper Child (1933)
- Necrophilic Fountain Flowing from a Grand Piano (1933)
- The Phantom Cart (1933)
- The Phantom Cart (1933)
- The Phenomenon of Ecstasy (1933)
- Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder (1933)
- Reverie – Password: Mess Up, All the Slate (1933)
- Soft Watches (1933)
- Study for "The Enigma of William Tell" (1933)
- Study for "Portrait of the Vicomtesse de Noailles" (1933)
- Sugar Sphinx (1933)
- Sugar Sphinx (detail) (1933)
- Surrealist Figure in the Landscape of Port Lligat (1933)
- Surrealist Figures, Joint Drawing by Dalí and Picasso (1933)
- Surrealist Horse – Woman-Horse (1933)
- The Temple of Love (1933)
- The Triangular Hour (1933)
- Two Faces of Gala (1933–34)
- Untitled (1933–34)
- Untitled (Study for Parts of "Invisible Harp, Fine and Medium" and Parts of "Skull with Its Lyric Appendage Leaning on a Bedside, Table...") (1933)
- Untitled – Death Outside the Head/Paul Eluard (1933)
- Aerodynamic Chair (1934)
- Allegory of an American Christmas (1934)
- Apparition of My Cousin Carolinetta on the Beach at Rosas (1934)
- Atavism at Twilight (1934)
- Atavistic Vestiges After the Rain (1934)
- Atmospheric Skull Sodomizing a Grand Piano (1934)
- Bust of Joella Lloyd (1934)
- Cannibalism of the Praying Mantis of Lautreamont (1934)
- Cardinal (1934)
- Conic Anamorphosis (1934)
- Consequences (1934)
- Consequences: Gala Eluard, Dalí, André Breton, Valentine Hugo (1934)
- Consequences: Gala Eluard, Valentine Hugo, André Breton, Dalí (1934)
- Consequences: Valentine Hugo, André Breton, Gala Eluard, Dalí (1934)
- Consequences: Valentine Hugo, Dalí, André Breton, Gala Eluard (1934)
- Eclipse and Vegetable Osmosis (1934)
- Enigmatic Elements in the Landscape (1934)
- Figure – Omelettes (1934)
- Figure and Drapery in a Landscape (1934)
- Figure with Drawers for a Four-part Screen (1934)
- Fossil Cloud (1934)
- The Ghost of Vermeer of Delft Which Can Be Used As a Table (1934)
- The Ghost of Vermeer van Delft (1934)
- Ghost of Vermeer Van Delft (1934)
- Hairdresser Depressed by the Persistent Good Weather (1934)
- Homage to Millet – for CeciIe, in Friendship (1934)
- The Hour of the Crackled Visage (1934)
- Hysterical and Aerodynamic, Nude – Woman on the Rock (1934)
- The Invisible Harp (1934)
- The Isle of the Dead – Centre, Section – Reconstructed, Compulsive Image, After Becklin (1934)
- The Javanese Mannequin (1934)
- The Knight of Death (1934)
- The Knight of Death (Horseman) (1934)
- The Little Theater (1934)
- Masochistic Instrument (1934)
- Meditation on the Harp (1934)
- Melancholy – to Marcel Remy in Friendship, Salvador Dalí (1934)
- Moment of Transition (1934)
- Morning Ossification of the Cypress (1934)
- Night Spectre on the Beach (1934)
- Omelette About to Be Irreparably Crushed by Hands (1934)
- Omelettes with Dynamic, Mixed Herbs (1934)
- Paranoiac Astral Image (1934)
- Persistence of Fair Weather (1934)
- Portrait of Gala with a Lobster (Portrait of Gala with Aeroplane Nose) (1934)
- Portrait of Rene Crevel (Dedicated to Julien Green) (1934)
- Portrait of Rene Crevel (Man with a Cigarette) (1934)
- Portrait of a Woman (1934)
- The Sense of Speed (1934)
- The Ship (1934–35)
- The Signal of Anguish (1934)
- Skull with Its Lyric Appendage Leaning on a Night Table which Should Have the Exact Temperature of a Cardinal's Nest (1934)
- The Specter of Sex Appeal (1934)
- The Spectre of the Angelus (1934)
- Study for "Cardinal, Cardinal!" (1934)
- Surrealist Furniture. Preparatory Drawing for Singularities (1934–35)
- Surrealist Knight for a Four-part Screen (1934)
- Surrealist Knights for a Four-part Screen, Centre Right (1934)
- Surrealist Poster (1934)
- Surrealist Warriors for a Four-part Screen, Centre Left (1934)
- Title Unknown – Ghost (1934)
- The Tower (1934)
- Untitled (Desert Landscape) (1934)
- Untitled (Dreams on the Beach) (1934)
- Untitled – Young Girl with a Skull (1934)
- The Weaning of Furniture-Nutrition (1934)
- West Side of the Isle of the Dead – Reconstructed Compulsive Image After Becklin (1934)
- The Angelus of Gala (1935)
- Archaeological Reminiscence of Millet's Angelus (1935)
- Don Quixote (1935)
- Drawing for "American Weekly" (1935)
- The Echo of the Vold (1935)
- Exquisite Cadaver (1935)
- Face of Mae West Which May Be Used as an Apartment (1935)
- The Horseman of Death (1935)
- Landscape After De Chirico (unfinished) (1935)
- Mediumnistic-Paranoiac Image (1935)
- The Nostalgic Echo (1935)
- Nostalgic Echo (1935)
- Paranoiac Visage (1935)
- Paranoiac Visage – The Postcard Transformed (1935)
- Paranoiac-Critical Solitude (1935)
- Paranonia (1935–36)
- Poster Project (1935)
- Puzzle of Autumn (1935)
- Soft Cramas and Skull Harp (1935)
- Solitude – Anthropomorphic Echo (1935)
- Study for "Premonition of Civil War" (1935)
- Study for "Premonition of Civil War" (1935)
- Study for "Premonition of Civil War" (1935)
- Study for "Suburbs of a Paranoiac-Critical Town" (1935)
- The Surrealist Mystery of New York I (1935)
- Thought Machine – Illustration for "The Secret Life of Salvador Dalí" (1935)
- Woman in a Hat Sitting on a Beach. Drawing for "American Weekly" (1935)
- Woman with a Head of Roses (1935)
- Ampurdanese Yang and Yin (1936)
- Ant Face. Drawing for the Catalogue Jacket of Dalí's Exhibition at the Alex Reid and Lefevre Gallery in London (1936)
- The Anthropomorphic Cabinet (1936)
- The Ants (1936–37)
- Aphrodisiac Dinner Jacket (1936)
- Aphrodisiac Dinner Jacket (1936)
- Apparition of the Town of Delft (1936)
- Autumn Cannibalism (1936)
- Beach Scene (detail study) (1936)
- Blactric Collars (1936)
- Bread on the Head of the Prodigal Son (1936)
- Bust with Drawers (1936)
- A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano (1936)
- The City of Drawers (1936)
- The City of Drawers – Study for the "Anthropomorphic Cabinet" (1936)
- The City of Drawers – Study for the "Anthropomorphic Cabinet" (1936)
- A Couple with Their Heads Full of Clouds (1936)
- A Couple with Their Heads Full of Clouds (1936)
- Cover of "Minotaure" Magazine (1936)
- Decalcomania (1936)
- The Dream places a Hand on a Man's Shoulder (1936)
- The Forgotten Horizon (1936)
- The Fossilized Automobile of Cape Creus (1936)
- Freudian Portrait of a Bureaucrat (1936)
- Gala's Head – Rear View (1936)
- Geodesic Portrait of Gala (1936)
- Geological Justice (1936)
- The Great Paranoiac (1936)
- Hands Chair (1936)
- Head of a Woman in the Form of a Battle (1936)
- Hypnagogic Monument (1936)
- Landscape with Girl Skipping Rope (1936)
- Lobster Telephone (1936)
- Mae West's Lips Sofa (1936–37)
- The Man with the Head of Blue Hortensias (1936)
- Man with His Head Full of Clouds (1936)
- Messenger in a Palladinian Landscape (1936)
- Morphological Echo (1936, 64 × 54 cm)
- Morphological Echo (1936, 30 × 33 cm)
- Necrophiliac Springtime (1936)
- Night and Day Clothes (1936)
- Our Love (1936)
- The Pharmacist of Ampurdan in Search of Absolutely Nothing (1936)
- Singularities (Singularitats) (1936)
- Soft Construction with Boiled Beans (Premonition of Civil War) (1936)
- South (Noon) (1936)
- Study for the Cover of "Minotaure", No. (81936)
- Study for "A Couple with Their Heads Full of Clouds " (detail) (1936)
- Study for "Geodesic Portrait of Gala" (1936)
- Study for "Spain" (1936)
- Study of Horsemen (1936)
- Suburbs of a Paranoiac-Critical Town: Afternoon on the Outskirts of European History (1936)
- Sun Table (1936)
- Surrealist Composition with Invisible Figures (second version of "Rocks of Llané") (1936)
- Three Young Surrealistic Women Holding in Their Arms the Skins of an Orchestra (1936)
- Venus de Milo with Drawers (1936)
- Venus De Milo with Drawers (1936)
- The Vertebrate Grotto – Transfer Series (1936)
- White Calm (1936)
- Woman with Drawers (1936)
- Anatomical Studies – Transfer Series (1937)
- Average Pagan Landscape (1937)
- Burning Giraffe (1937)
- The Burning Giraffe (1937)
- Cannibalism of the Objects (1937)
- Creation of the Monsters (1937)
- Dinner in the Desert (1937)
- Dinner in the Desert Lighted by Giraffes on Fire (1937)
- Drawers Cannibalism (Composition with Drawers) (1937)
- Enchanted Beach (Long, Siphon) (1937)
- Herodias (1937)
- How Skyscrapers Will Look in 1987 (Drawing for "American Weekly") (1937)
- The Hysterical Arch (1937)
- Imaginary Portrait of Lautréamont at the Age of Nineteen (1937)
- The Invention of the Monsters (1937)
- Knights of Death (1937)
- Metamorphosis of Narcissus (1937)
- Palladio's Thalia Corridor (1937)
- Perspectives (1937)
- Portrait of Freud (1937)
- Queen Salome (1937)
- Sleep (1937)
- Study for "The False Inspection" (False Perspective) (1937)
- Study for "The Metamorphosis of Narcissus" (1937)
- Surrealist Dinner on a Bed (Drawing for a Film Project with the Marx Brothers) (1937)
- Surrealist Gondola Above Burning Bicycles (Drawing for a Film Project with the Marx Brothers) (1937)
- Swans Reflecting Elephants (1937)
- Untitled – Hysterical Scene (1937)
- Untitled – Lamp with Drawers (Drawing for an interior) (1937)
- Untitled – Standard Lamp With Crutches (Drawing for an interior) (1937)
- Untitled – Woman with a Flower Head (1937)
- Visions of Eternity (1937)
- The Woman in Flames (1937)
- Apparition of the Figure of Vermeer on the Face of Abraham Lincoln. Study for "The Image Disappears" (1938)
- Apparition of Face and Fruit Dish on a Beach (1938)
- Beach at Cape Creus with Seated Woman Seen from the Back Mending a Sail and Boat (1938)
- Beach with Telephone (1938)
- Coccyx Women (1938)
- Composition – Two Women with a Town in the Background (1938)
- Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone (1938)
- Enchanted Beach with Three Fluid Graces (1938)
- The Endless Enigma (1938)
- Face of the Great Cyclopean Cretin (1938)
- Fantastic Beach Scene with Skeleton and Parrot (1938)
- Gradiva (1938)
- Greyhound (1938)
- The Image Disappears (1938)
- Imaginary Figures with a Background of Spanish Monuments (Study for the Costumes for Coco Chanel) (1938)
- Imperial Violets (1938)
- Impressions of Africa (1938)
- Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs (1938)
- Mandolin, Fruit Dish With Pears, Two Figs on a Table (1938)
- Mythological Beast (1938)
- Palladio's Corridor of Dramatic Surprise (1938)
- Philosopher Reclining (1938)
- Portrait of Sigmund Freud (1938)
- Portrait of Sigmund Freud – Morphology of the Skull of Sigmund Freud. Illustration for "The Secret Life of Salvador Dalí" (1938)
- Spain (1938)
- Study for the Self-portrait in "Impressions of Africa" (1938)
- Study for the Self-portrait in "Impressions of Africa" (1938)
- Study for The Image Disappears (1938)
- The Sublime Moment (1938)
- The Transparent Simulacrum of the Feigned Image (1938)
- Untitled (1938)
- Untitled – Figure (unfinished) (1938–39)
- The Warning (1938)
- Actress Betty Stockfeld Is Metamorphosed into a Nurse (1939)
- Apparition of a War Scene on the Face of Lieutenant Deschanel. Cover of "Match" (1939)
- Baby Map of the World (1939)
- Bacchanale (1939)
- Ballerina in a Death's Head (1939)
- Drawing for "Bacchanale" (1939)
- The Dream of Venus (1939)
- The Enigma of Hitler (1939)
- Freud's Perverse Polymorph (Bulgarian Child Eating a Rat) (1939)
- Gradiva Becoming Fruits, Vegetables, Pork, Bread, and Grilled Sardine (1939)
- Gradiva, She Who Advances (1939)
- Group of Figures (1939)
- Landscape with Telephones on a Plate (1939)
- Mad Tristan (1939)
- Masked Mermaid in Black (1939)
- Metamorphosis of the Five Allegories of Giovanni Bellini (1939)
- Metamorphosis of a Man's Bust into a Scene Inspired by Vermeer (1939)
- Metamorphosis of a Man's Bust into a Scene Inspired by Vermeer (1939)
- Philosopher Illuminated by the Light of the Moon and the Setting Sun (1939)
- Portrait of Gala (unfinished; detail) (1939)
- Portrait of Sigmund Freud from "The Secret Life" (1939)
- Psychoanalysis and Morphology Meet (1939)
- Set for "Bacchanale" (1939)
- Shirley Temple, The Youngest, Most Sacred Monster of the Cinema in Her Time (1939)
- Sirens and Graces – Set Design for Dalí's "Bacchanale" (1939)
- The Sphere Attacks the Pyramid. Cover of the Catalogue of the Exhibition at Julien Levy's in New York. (1939)
- Study for Apparition of a Vermeer Figure on Abraham Lincoln's Face (1939)
- Study for Portrait of Gala (1939)
- Study for a Ballet Backdrop (1939)
- Telephone in a Dish With Three Grilled Sardines at the End of September (1939)
Read more about this topic: List Of Works By Salvador Dalí, Paintings, Drawings, Sculptures