Operettas Arranged By Others Using Music By Johann Strauss II (selection)
- Le reine Indigo, opérette in 3 acts (1875)
- La tzigane, opérette in 3 acts (1877)
- Wiener Blut, Operette in 3 acts, arranged by Adolf Müller (1899)
- Gräfin Pepi, Operette in 3 acts, arranged by E Reiterer (1902)
- Tausend und eine nacht, Operette in a prelude and 2 acts, arranged by E Reiterer (1906)
- Reiche Mädchen, Operette in 3 acts (1909)
- Der blaue Held, Operette in 3 acts (1912)
- Faschingshochzeit, Operette arranged by J Klein (1921)
- Casanova, Operette in 7 scenes, arranged by Ralph Benatzky (1928)
- Walzer aus Wien, Singspiel in 2 acts, arranged by J Bittner and Erich Wolfgang Korngold (1930)
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Famous quotes containing the words operettas, arranged, music and/or strauss:
“The cowboy ... is well on his way to becoming a figure of magnificent proportions. Bowlegged and gaunt, he stands as the apotheosis of manly perfection. Songs, novels, movies, magazines, and operettas have made the least inquiring of us well acquainted with his extraordinary courage, unfailing gallantry, and uncanny skill with gun or lariat. The farmer, meanwhile, sits stolidly on his tractor, bereft of romance and adventure.”
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“no arranged terror: no forcing of image, plan,
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terror pervades but is not arranged, all possibilities
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—Archie Randolph Ammons (b. 1926)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“Ah, there should be a young man, ein schone Junge carrying Blumen, a bouquet of roses. There should be cold Rhine wine and Strauss waltzes, and on the long way home kisses in the shadow of an archway, like a Cinderella.”
—Laurence Stallings (1894–1968)