Irwin Shaw - Career - Drama

Drama

Shaw began screenwriting in 1935 at the age of 21, and scripted for several radio shows, including Dick Tracy, The Gumps and Studio One. He recaptured this period of his life in his short story "Main Currents of American Thought," about a hack radio writer grinding out one script after another while calculating the number of words equal to the rent money:

<table> “ Furniture, and a hundred and thirty-seven dollars. His mother had always wanted a good dining-room table. She didn't have a maid, she said, so he ought to get her a dining room table. How many words for a dining-room table? ”

Shaw's first play, Bury the Dead (1936) was an expressionist drama about a group of soldiers killed in a battle who refuse to be buried. During the 1940s, Shaw wrote for a number of films, including The Talk of the Town (a comedy about civil liberties), The Commandos Strike at Dawn (based on a C.S. Forester story about commandos in occupied Norway) and Easy Living (about a football player unable to enter the game due to a medical condition). Shaw married Marian Edwards (daughter of well known screen actor Snitz Edwards.) They had one son, Adam Shaw, born in 1950, himself a writer of magazine articles and non-fiction.

Shaw summered at the Pine Brook Country Club, located in the countryside of Nichols, Connecticut, which became the summer home of the Group Theatre (New York), with; Elia Kazan, Harry Morgan, John Garfield, Francis Farmer, Will Geer, Clifford Odets and Lee J. Cobb.

Read more about this topic:  Irwin Shaw, Career

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Famous quotes containing the word drama:

    Life’s so ordinary that literature has to deal with the exceptional. Exceptional talent, power, social position, wealth.... Drama begins where there’s freedom of choice. And freedom of choice begins when social or psychological conditions are exceptional. That’s why the inhabitants of imaginative literature have always been recruited from the pages of Who’s Who.
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    The drama is complete poetry. The ode and the epic contain it only in germ; it contains both of them in a state of high development, and epitomizes both.
    Victor Hugo (1802–1885)

    By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.
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