Criticism
In 2001, the Child Labor Coalition, a collection of advocacy groups focusing on child labor issues in the US and worldwide, criticized the protocol for only addressing Côte d’Ivoire and Ghana. It suggested extending the protocol to the whole world, because exploitative practices were also reported in the cocoa industries in Brazil and Indonesia. The Child Labor Coalition also recommended that the chocolate industry set the price of chocolate so that the producers make enough money to fairly compensate their workers.
In 2011, ten years after implementation, it was unclear if the protocol had any effect in reducing child labor. One Payson Center researcher claimed few of the protocol commitments have been implemented, but the ICI claimed five of the six articles have been completed and they are actively working on the sixth.
In 2012, Miki Mistrati, creator of the award-winning documentary, The Dark Side of Chocolate, claimed the protocol is just “a document and politics” because there has been no progress. He thinks that the same issues will be present in five years and that changes will not come through the protocol, but instead from consumers who demand change.
Read more about this topic: Harkin-Engel Protocol
Famous quotes containing the word criticism:
“It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesn’t know the wealthy woman who fulminates against the “idle” workers who just won’t get out and hunt jobs?”
—Mary Barnett Gilson (1877–?)
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)