Medieval Lore
Griffins not only mated for life, but also, if either partner died, then the other would continue throughout the rest of its life alone, never to search for a new mate. The griffin was thus made an emblem of the Church's views on remarriage. A Hippogriff is a legendary creature, supposedly the offspring of a griffin and a mare. Being a union of a terrestrial beast and an aerial bird, it was seen in Christendom to be a symbol of Jesus, who was both human and divine. As such it can be found sculpted on some churches.
According to Stephen Friar's New Dictionary of Heraldry, a griffin's claw was believed to have medicinal properties and one of its feathers could restore sight to the blind. Goblets fashioned from griffin claws (actually antelope horns) and griffin eggs (actually ostrich eggs) were highly prized in medieval European courts.
When it emerged as a major seafaring power in the Middle Ages and Renaissance, griffins commenced to be depicted as part of the Republic of Genoa's coat of arms, rearing at the sides of the shield bearing the Cross of St. George.
By the 12th century the appearance of the griffin was substantially fixed: "All its bodily members are like a lion's, but its wings and mask are like an eagle's." It is not yet clear if its forelimbs are those of an eagle or of a lion. Although the description implies the latter, the accompanying illustration is ambiguous. It was left to the heralds to clarify that.
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Famous quotes containing the words medieval and/or lore:
“Our medieval historians who prefer to rely as much as possible on official documents because the chronicles are unreliable, fall thereby into an occasionally dangerous error. The documents tell us little about the difference in tone which separates us from those times; they let us forget the fervent pathos of medieval life.”
—Johan Huizinga (1872–1945)
“The lore of our fathers is a fabric of sentences. In our hands it develops and changes, through more or less arbitrary and deliberate revisions and additions of our own, more or less directly occasioned by the continuing stimulation of our sense organs. It is a pale gray lore, black with fact and white with convention. But I have found no substantial reasons for concluding that there are any quite black threads in it, or any white ones.”
—Willard Van Orman Quine (b. 1908)