A film society is a membership club where people can watch screenings of films which would otherwise not be shown in mainstream cinemas. In Spain and Ireland they are known as "Cineclubs," and in Germany they are known as "Filmclubs". They usually have an educational aim, introducing new audiences to different audiovisual works through an organized and prepared program of screenings.
Editorial output reinforces the work of these organisations, as they produce hand-programmes, brochures, schedules, information sheets, and even essays, supporting the significance of their exhibitions. A common feature that may characterize a film society screening is that they either begin with an introduction of the film to the audience and/or end with the promotion of a debate / discussion about the film, where assistants, organizers and sometimes the filmmakers themselves, exchange their views.
There are networks in many different countries, and these are organized into federations, councils, collectives, and local networks. Famous film societies include Amos Vogel's Cinema 16, Cinémathèque Française, and the Film Society of Lincoln Center in New York City.
Read more about Film Society: International, Australia, Canada, Colombia, France, Germany, Hungary, India, Ireland, Poland, Portugal, Spain, United Kingdom, United States of America
Famous quotes containing the words film and/or society:
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (18881959)
“It used to be said that, socially speaking, Philadelphia asked who a person is, New York how much is he worth, and Boston what does he know. Nationally it has now become generally recognized that Boston Society has long cared even more than Philadelphia about the first point and has refined the asking of who a person is to the point of demanding to know who he was. Philadelphia asks about a mans parents; Boston wants to know about his grandparents.”
—Cleveland Amory (b. 1917)