Bullfighting - Cultural Aspects

Cultural Aspects

Many supporters of bullfighting regard it as a deeply ingrained, integral part of their national cultures. The aesthetic of bullfighting is based on the interaction of the man and the bull. Rather than a competitive sport, the bullfight is more of a ritual, which is judged by aficionados (bullfighting fans) based on artistic impression and command. Ernest Hemingway said of it in his 1932 non-fiction book Death in the Afternoon: "Bullfighting is the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter's honour." Bullfighting is seen as a symbol of Spanish culture.

The bullfight is above all about the demonstration of style, technique and courage by its participants. While there is usually no doubt about the outcome, the bull is not viewed as a sacrificial victim—it is instead seen by the audience as a worthy adversary, deserving of respect in its own right.

Those who oppose bullfighting maintain that the practice is merely a cowardly, sadistic tradition of slowly torturing, humiliating and finally murdering a terrified, dying bull who vomits blood, bellows in agony, and desperately seeks his escape amid pomp and pageantry of unashamed people who applaud when he finally collapses and then is killed. Supporters of bullfights, called "aficionados", claim they respect the bulls and that bullfighting is a grand tradition; a form of art important to their culture.