Ajuda National Palace - Architecture - Interior - Second Floor

Second Floor

During State functions or celebrations, invited guests would enter via the vestibule and ascend the main staircase to the second floor of the Palace by way of the Escadaria Nobre. The enclosed staircase, is decorated with flourish carvings on the ceiling from the lower floor, which zigzags to the upper landing decorated with rounded stain glass with the royal coat of arms and painted ceiling. On the second floor of the palace lies:

  • the Atelier de Pintura do Rei (King's Painting Workshop), which is preceded by a gallery with many of King Carlos' works of art. The room is lined with carvings in white, with a paneled ceiling, supported by equally spaced cornice and corbels, with windows framed by arches and canopies of false parapets, as well as a wooden staircase guarded by four foils leaked, the floor is parquet motif geometric.
  • Biblioteca (Library), is a space covered in oak wood serving as library, including panels, doors, trim and the fireplace (flanked by two Atlantean warriors).* Sala de Trabalho do Rei (King's Office), its walls painted are painted beige, with wainscoting and trim adorned with geometric elements and foliage, respectively, and focused on a panel representing Saturn. A parquet wood floor with various shades of embossed wood cover the floor, while a bronze crystal chandelier hangs from the ceiling.
  • Sala das Incias L.M. (Initials L & M Room), a relatively small rectangular space, with a plane ceiling, it is adorned with an allegorical scene, depicting the initials L and M for the monarchs King Luís and Queen Maria Pia, with a wide crown moulding, decorated with stars and military motifs on a very prominent cornice and meandering ornate frieze. The walls are covered with draperies of comparable fabric, while the floor is covered in parquet.
  • Sala Chinesa (Chinese Room) totally decorated in natural silk, forming a tent-shaped ceiling, with chandeliers and small metal lamps, Chinese porcelain, and red doorways with gold trim, in Oriental motifs, completed by José Procópio Ribeira in 1865. From this place visitors to the monarchs residence, for galas or ceremonial events, were stratified into various rooms, depending on class structure, until the reaching the throne room.
  • Sala Império (Imperial Salon), with a wainscoting painted in pink, and walls covered in silk, the ceiling has ornate motifs, and meandering frieze, while the floor is covered in inlaid parquet.
  • Sala do Retrato da Rainha (Queen's Portrait Room), a fairly wide room, with a ceiling painting feature the depiction of Vingança and Justiça Divina framed by phytomorphic elements, with walls lined with red silk and a parquet flooring. The room is dominated by the full-length portrait of the 33 year old Maria Pia in blue and white ball gown, opposite a portrait of Infante Afonso, Duke of Porto.
  • Sala dos Gobelins (Gobelins Room), the ceiling in this space is painted blue, with phytomorphic elements and festive elements in white.
  • Sala do Corpo Diplomático (Diplomatic Corp's Room), was used for visiting ambassadors and members of the diplomatic corp, who waited in this room before being presented in the throne room. This room is full of classical motifs, presenting a ceiling with animals, figures and chariots, based on a Greek frieze, with painted walls and inlaid parquet floor. Three of the walls have tapestries with royal coats of arms and the last with a fireplace surmounted by mirror, with chairs assembled for the gathered visitors, all accented in red velvet and gold, and two large ornamental vases. Alongside is a small antechamber used so that visitors could wait as their name was presented to the monarchs, before appearing in the throne room. On the walls of this room are portraits of John VI of Portugal and Carlota Joaquina on opposite walls.
  • Sala do Trono (Throne Room), is a large space that occupies the southern tower of the Palace, with a ceiling of the Virtude Heróica, exalting the royalty of Miguel of Portugal, with a bronze crystal chandelier, walls draped in red silk and floor covered in parquet and Aubusson carpet. On a small two-step platform are the two thrones of Luís and Maria Pia under a red draped canopy. The passageways, covered in drapery are surmounted by ancillary windows that permit light to cascade into the space. Red velvet chairs and bunks are strategically located around the open space.
  • Sala de Baile (Ballroom) or Sale de D. João VI (King John VI's Hall), was used as the formal ballroom, and features an upper gallery (for the musicians) opposite the entrance, while two full-length portraits of Luís and Maria Pia flank the entrance. The walls are covered in red silk, with the ceiling divided into seven panels, the central showing the allegorical Concílio dos Deuses, from which hang three crystal chandeliers. Along one wall is a large landscape depicting the return of John VI from Brazil, opposite windows and two mirrors.
  • Sala da Ceia (Dining Room), the grande dining hall for state dinners and ceremonial events (such as the acclamation of Miguel as King and the wedding of Carlos and Amelia of Orleans), the room is a long hall that includes two long tables for visitors and the main table (which intersects the other two) for the Royal Family. The ceiling is painted with an allegorical depiction as tribute to John VI, with a chariot of the sun with Apollo, circled by the Horae, months, seasons, and other allegorical figures, illuminated by three large bronze crystal chandeliers, and an upper gallery for musicians, to play the visiting guests and diplomats. The opposite wing was altered by the adaption by actual activities in the space, and includes a staircase in the vestibule to connect the upper spaces and rooms.

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