Abney Park (band) - History - Popularity

Popularity

Now sometimes called the "quintessential" steampunk band, Abney Park has been featured in major news media and interviewed by several genre magazines and websites, and has been highlighted on MTV and G4TV as primary examples of the steampunk musical scene.

Abney Park has performed at numerous festivals, including World Steam Expo, Dragon*Con, WGW, Utah Dark Arts, Bats Day, Convergence, Ravenwood Festival, Masque and Veil, Queen Mary Pyrate Daze, the Bay Area Maker Faire, Steamcon and Wild Wild West Con. Their music has also been featured in many compilation CDs, including Gilded Age Records' An Age Remembered: A Steampunk and Neo-Victorian Mix, Cleopatra Records' The Unquiet Grave vol. III, Sepiachord's A Sepiachord Companion, BLC Productions' Annihilation and Seduction, Squish Me Down Records' Eighteen (Eighteen NW Bands Benefit CD)

Their music has also appeared in several movie soundtracks, including Insomnis Amour, Goth, and Lord of the Vampires. The Abney Park song "Sleep Isabella" was used in a scene in the HBO series True Blood, Season 5 Episode 4.

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Famous quotes containing the word popularity:

    Here also was made the novelty ‘Chestnut Bell’ which enjoyed unusual popularity during the gay nineties when every dandy jauntily wore one of the tiny bells on the lapel of his coat, and rang it whenever a story-teller offered a ‘chestnut.’
    —Administration for the State of Con, U.S. public relief program (1935-1943)

    A more problematic example is the parallel between the increasingly abstract and insubstantial picture of the physical universe which modern physics has given us and the popularity of abstract and non-representational forms of art and poetry. In each case the representation of reality is increasingly removed from the picture which is immediately presented to us by our senses.
    Harvey Brooks (b. 1915)

    The popularity of disaster movies ... expresses a collective perception of a world threatened by irresistible and unforeseen forces which nevertheless are thwarted at the last moment. Their thinly veiled symbolic meaning might be translated thus: We are innocent of wrongdoing. We are attacked by unforeseeable forces come to harm us. We are, thus, innocent even of negligence. Though those forces are insuperable, chance will come to our aid and we shall emerge victorious.
    David Mamet (b. 1947)