Opera
- Paul Frederic Bowles – Denmark Vesey
- Paul Hindemith – Mathis der Maler
- Dmitri Kabalevsky – Colas Breugnon
- Jeronimas Kacinskas – Nonet
- Ernst Krenek – Karl V
- Douglas Stuart Moore – The Devil and Daniel Webster
Read more about this topic: 1938 In Music
Other articles related to "opera, operas":
Amilcare Ponchielli - Biography
... Two years after leaving the conservatory he wrote his first opera -- it was based on Alessandro Manzoni's great novel The Betrothed (I promessi sposi) -- and it was as ... a competition, he took small-time jobs in small cities, and composed several operas, none successful at first ... The following opera, I Lituani (The Lithuanians) (1874), was also well received, being performed later at Saint Petersburg (as Aldona - November 20, 1884) ...
... Two years after leaving the conservatory he wrote his first opera -- it was based on Alessandro Manzoni's great novel The Betrothed (I promessi sposi) -- and it was as ... a competition, he took small-time jobs in small cities, and composed several operas, none successful at first ... The following opera, I Lituani (The Lithuanians) (1874), was also well received, being performed later at Saint Petersburg (as Aldona - November 20, 1884) ...
Opera - Cinema and Internet
... Major opera companies have begun presenting their performances in local cinemas throughout the United States and many other countries ... The Metropolitan Opera began a series of live high-definition video transmissions to cinemas around the world in 2006 ... San Francisco Opera began prerecorded video transmissions in March 2008 ...
... Major opera companies have begun presenting their performances in local cinemas throughout the United States and many other countries ... The Metropolitan Opera began a series of live high-definition video transmissions to cinemas around the world in 2006 ... San Francisco Opera began prerecorded video transmissions in March 2008 ...
Johann Adolph Hasse - Early Career
... in singing, when he joined the Hamburg Opera (his family, who were traditionally church musicians, came from near Hamburg) in 1718 as a tenor ... he obtained a singing post at the court of Brunswick, where in 1721 his first opera, Antioco, was performed Hasse himself sang in the production ... The success of this work not only earned Hasse many commissions from Naples's opera houses, but also, according to Quantz, brought him into contact with Alessandro Scarlatti, who became his ...
... in singing, when he joined the Hamburg Opera (his family, who were traditionally church musicians, came from near Hamburg) in 1718 as a tenor ... he obtained a singing post at the court of Brunswick, where in 1721 his first opera, Antioco, was performed Hasse himself sang in the production ... The success of this work not only earned Hasse many commissions from Naples's opera houses, but also, according to Quantz, brought him into contact with Alessandro Scarlatti, who became his ...
Victoria De Los Ángeles - Life and Career
... The following year, she made her debut in Salzburg and at the Royal Opera House, Covent Garden as Mimì, and in the United States with a recital at ... In March 1951, she made her Metropolitan Opera debut in New York as Marguérite, and she went on to sing with the company for ten years ... In 1957 she sang at the Vienna State Opera ...
... The following year, she made her debut in Salzburg and at the Royal Opera House, Covent Garden as Mimì, and in the United States with a recital at ... In March 1951, she made her Metropolitan Opera debut in New York as Marguérite, and she went on to sing with the company for ten years ... In 1957 she sang at the Vienna State Opera ...
Famous quotes containing the word opera:
“I wish the opera was every night. It is, of all entertainments, the sweetest and most delightful. Some of the songs seemed to melt my very soul.”
—Frances Burney (1752–1840)
“Are you suggesting that we reopen the Opera with a murder as an added attraction?”
—Eric Taylor, Leroux, and Arthur Lubin. Lecours (Fritz Feld)
“The real exertion in the case of an opera singer lies not so much in her singing as in her acting of a role, for nearly every modern opera makes great dramatic and physical demands.”
—Maria Jeritza (1887–1982)
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