What is Brecht?

  • (noun): German dramatist and poet who developed a style of epic theater (1898-1956).
    Synonyms: Bertolt Brecht

Some articles on brecht:

Supply And Demand (Dagmar Krause Album) - Track Listings - Supply and Demand
... Supply Demand (The Trader's Song)" (Brecht, Eisler) – 257 "Epitaph 1919" (Brecht, Weill) – 159 "German Miserere" (Brecht, Eisler) – 139 "O Falladah, Die du Hangest!" (Brecht, Eisler) – 241 "Alabama Song ...
Brecht, Germany
... Brecht is a municipality in the district of Bitburg-Prüm, in Rhineland-Palatinate, western Germany ... am See Biesdorf Birtlingen Bitburg Bleialf Bollendorf Brandscheid Brecht Brimingen Buchet Büdesheim Burbach Burg Dackscheid Dahlem Dahnen Daleiden Dasburg Dauwelshausen Dingdorf ...
Let No One Deceive You - Track Listing
... All songs by Bertolt Brecht and Kurt Weill unless otherwise noted ... Mack the Knife" – 230 "The Love Market" (Brecht, Hanns Eisler) – 240 "We All Make the Bed That We Lie In – 337 "Song Of A German Mother" (Brecht, Eisler) – 358 "Lu ...
Supply And Demand (Dagmar Krause Album) - Track Listings - Angebot & Nachfrage
... Angebot Nachfrage (Song von der Ware)" (Brecht, Eisler) – 257 "Grabrede 1919" (Brecht, Weill) – 159 "Deutsche Miserere" (Brecht, Eisler) – 139 "O Falladah, Die du Hangest!" (Brecht, Eisler) – 241 "Alabama-S ...
Margarete Steffin
... - 4 June 1941, Moscow) was a German actress and writer, one of Bertold Brecht's closest collaborators, as well as a prolific translator from Russian and Scandinavian languages ... In 1931, she took a diction class from Brecht's wife Helene Weigel and became his lover ... In 1933 Brecht and Weigel went into exile in Denmark ...

Famous quotes containing the word brecht:

    Society cannot share a common communication system so long as it is split into warring factions.
    —Bertolt Brecht (1898–1956)

    No one can be good for long if goodness is not in demand.
    —Bertolt Brecht (1898–1956)

    It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.
    —Bertolt Brecht (1898–1956)