When applied to building block a website or similar work product, a Visual Guide can be an intermediate step toward the end goal of a complete website. By creating a visual guide along the way, the designer or developer can get buy-in from the other people involved in the website such as the customer, their manager and other members of the team.
A visual guide could be a wireframe, creative composition or information architecture. A device that will enable collaboration will save time, decreasing the chance of work having to be completely redone. A manager could create a visual guide for the team to complete the build-out.
Paper prototype could be an excellent way to develop Visual Guides.
Other articles related to "visual, visual guide":
2002 Zombie Swing! Entertainment E Floigan Brothers Episode 1-Moigle's Secret Project 2001 Visual Concepts Sega EU 1 Forever Hero III 1999 Konami Konami J Former Managing Director Yukawa's Treasure Hunt ... Koei J Napple Tale Arsia in Daydream 2000 Sega Sega J NBA 2K 1999 Visual Concepts Sega Sports EJU 1-4 NBA 2K1 2000 Visual Concepts Sega Sports JU 1-4 NBA 2K2 ... J Ooga Booga 2001 Visual Concepts Sega U 1-4 Ookami Ichio Funtouki Sakura Taisen Kayou Show - 2000 Sega Sega J Orange Pocket Cornet 2004 Hooksoft Pionesoft J Ouka Houshin 1999 ...
... In the book, Pirates of the Caribbean A Visual Guide, a profile view of the Kraken is seen, with a ship for scale ... The second edition, Pirates of the Caribbean The Complete Visual Guide, states the Kraken to be as long as ten of that ship ... The Kraken in this shot does not look as big as the given photo from the visual guide, though is could just be from the fact that the Kraken has, most likely, been dead on the island for months and is beginning ...
Famous quotes containing the words guide and/or visual:
“The wheel of fortune guide you,
The boy with the bow beside you
Run aye in the way
Till the bird of day
And the luckier lot betide you.”
—Ben Jonson (15721637)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)