The Battle in Seattle (film) - Reception

Reception

The film received mixed reviews from critics, earning a 52% positive rating from numerous reviews on review aggregator site Rotten Tomatoes As of December 2008. The critical consensus was that the film, though "well-intentioned and passionate", had stronger political content than characters. New York Magazine called the film "a triumph", while Chicago Sun-Times film critic Roger Ebert gave the film 3 out of 4 stars and described it as "not quite a documentary and not quite a drama, but interesting all the same" and compared it to past political films like Medium Cool. According to EW.com, the film "sounds like a bad TV movie: a drama based on the protests that halted the 1999 World Trade Organization summit in Seattle. Yet Stuart Townsend re-creates it all with stunning passion and skill".

The film also received positive reviews from The Hollywood Reporter and Variety.

Despite director Stuart Townsend's stated intention of portraying the events of protest accurately, the film was criticized by anarchist collective CrimethInc. for what they saw as its sensationalistic portrayal of events. In a pamphlet titled "And What About Tomorrow?", the collective allege that the protests were characterized in the film as an isolated spontaneous uprising in which a "small fringe group" of black bloc anarchists "stole the show", whereas CrimethInc. contend that "anarchists were involved in all different aspects of the protests" including nonviolent organization and Food Not Bombs, and credit the adoption of anarchist direct action tactics with the success of the uprising. A review published by Anarkismo praised the film as "clearly well-researched", citing the pacing and general narrative as quite accurate, but criticized the presentation of anarchist politics as one-dimensional and a caricature.

Read more about this topic:  The Battle In Seattle (film)

Famous quotes containing the word reception:

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)