Game Theory (album) - Music

Music

In an interview for Rolling Stone magazine, Questlove expressed his view on contemporary black music and described the concept of Game Theory, comparing it to previous works:

In this day and age, I'm kind of noticing that nobody in urban music really has the balls to just stop partying for one second... I mean, partying is good and whatnot, and it's cool to get down, but I really think that 2006 called for a very serious record. This ain't the Debbie Downer record, or the political, save-the-world record, but this is definitely not the MC-based, battle-themed album that the Roots have been known for. This is our most serious record to date. —Questlove

Described by Questlove as "very mature, serious, and very dark", the album, unlike the band's previous two efforts Phrenology (2002) and The Tipping Point (2004), combines The Roots's progressive tendencies and lush, jazz influenced hip-hop into a more homogenous and cohesive recording than past efforts had shown. In what could be a salute to a fellow experimental band, The Roots sample Radiohead's "You and Whose Army?" for the track "Atonement".

The subject material for Game Theory follows the more serious tone of the album, with topics ranging from the war in Iraq to violence in music. Questlove was quoted as saying "There was too much going on that we couldn’t just sit back and not speak on it." In accordance with its more-serious tone, the album heavily references Public Enemy's highly-political It Takes a Nation of Millions to Hold Us Back on its lead track "False Media".

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Famous quotes containing the word music:

    O I shall hear skull skull,
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