Some articles on chords, chord:
... fixed below, even an amateur of music can play the loveliest and most moving chords of 3, 4 and 5 voices with very little practice. 3rd - Each claves or key of this instrument allows two different chords to be heard, as many keys are fixed to it, double as many chords can be heard, pulling the bellows a key gives one chord, while ... As this instrument can be made with 4, 5 and 6 or even more claves, with chords arranged in alphabetical order, many well known arias, melodies and ...
... tunings, the higher-octave version of a chord can be found by translating a chord by twelve frets higher along the fretboard ... regular tuning, for example in all-fourths tuning, chords and intervals can be moved also diagonally ... For all-fourths tuning, all twelve major chords (in the first or open positions) are generated by two chords, the open F major chord and the D major chord ...
... The opening chords present all the pitch materials of the piece ... They are of two kinds (1) "resonant" chords made by superposing two major, minor, augmented, diminished triads (sometimes with an added seventh or ninth), to form basically "harmonic" structures, and (2) "anti-resona ... These chords are progressively horizontalised, creating "a syntactic flux between structurally opposite and intermediate constituents" (MacKay 1988, 223) ...
... In music theory and harmonic analysis, a synthetic chord is a made-up or non-traditional (synthetic) chord (collection of pitches) which cannot be analyzed in terms of traditional ... —Sitsky (1994), However, synthetic chords originated not with Roslavets but with musicologist Sabaneev and his study of composer Scriabin's Prometheus published in 1910 ... See Mystic chord ...
... Liszt became a pioneer in building new chords ... Few composers seemed to question whether chords built by other means were possible ... One advance Liszt made was the use of minor and major chords struck together, a device he used in works such as the Czárdás obstinée ...
Famous quotes containing the word chords:
“I love power. But it is as an artist that I love it. I love it as a musician loves his violin, to draw out its sounds and chords and harmonies.”
—Napoleon Bonaparte (17691821)
“Love took up the glass of Time, and turned it in his glowing hands;
Every moment, lightly shaken, ran itself in golden sands.
Love took up the harp of Life, and smote on all the chords with
Smote the chord of Self, that, trembling, passed in music out of sight.”
—Alfred Tennyson (18091892)
“To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotiona soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge. One may have that condition by fits only.”
—George Eliot [Mary Ann (or Marian)