Works
He succeeded in having his plays put on the stage, where they met with much success. Verdi's opera Attila is based on Werner's drama of the same name. Werner's Der 24. Februar, thus titled because his mother and an intimate friend died on that day, introduced the era of the so-called “tragedies of fate.” Several of his dramatic poems were designed to evangelize freemasonry. Among his titles were:
- Vermischte Gedichte, 1789
- Die Söhne des Thals, 1803-1804, in two parts
- Die Templer auf Cypern, 1803
- Die Kreuzesbrüder, 1804
- Das Kreuz an der Ostsee, 1806
- Die Brautnacht, 1806
- Martin Luther oder die Weihe der Kraft, 1806
- Der vierundzwanzigste Februar, 1808 (translated into French by Jules Lacroix, Paris, 1849)
- Attila, König der Hunnen, romantische Tragödie, 1809
- Wanda, 1810
- Die Weihe der Unkraft, 1813, a recantation of his earlier work Martin Luther
- Kunigunde die Heilige, 1815
- Geistliche Übungen für drei Tage, 1818
- Die Mutter der Makkabäer, 1820
Zacharias Werner's Theater, a collection (without the author's consent) of Werner's work in 6 volumes, appeared in 1816-1818. Ausgewählte Schriften (Selected writings with a biography by K. J. Schütz) in 15 volumes appeared 1840-1841.
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Famous quotes containing the word works:
“When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
—Ralph Waldo Emerson (1803–1882)
“It [Egypt] has more wonders in it than any other country in the world and provides more works that defy description than any other place.”
—Herodotus (c. 484–424 B.C.)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)