Treasure Map - Treasure Maps in Fiction - Film

Film

The treasure map served as a major plot device in movies:

  • In the 1984 film Romancing the Stone, a romance writer sets off to Colombia to ransom her kidnapped sister, and soon finds herself in the middle of a dangerous adventure.
  • In the 1985 film The Goonies, an old treasure map leads to the secret stash of a legendary 17th century pirate.
  • In the 1994 comedy City Slickers 2: The Legend of Curly's Gold, a treasure map is made by criminals.
  • In the 1995 film Waterworld, an extremely vague and cryptic treasure map has been tattooed on the back of the child character Enola. This map leads the characters to dry-land, which in the context of the film, is a treasure.
  • In the 2000 animated comedy The Road to El Dorado, the principal characters win a map to the lost city of gold. They discover the city, are mistaken for gods, then help hide the city from the outside world.
  • In the 2004 film National Treasure, the discovery of a hidden treasure map starts a quest for a treasure dating to the Colonial era.
  • In the 2007 film National Treasure: Book of Secrets, treasure hunter Benjamin Gates uses an old map to find the lost city of Cibola.

Read more about this topic:  Treasure Map, Treasure Maps in Fiction

Famous quotes containing the word film:

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
    Raymond Chandler (1888–1959)

    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)

    Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
    Their little knowledge bringing them nearer to their ignorance,
    Ignorance bringing them nearer to death,
    But nearness to death no nearer to God.
    Sean O’Casey (1884–1964)