Plot
The play opens with a late night dinner between the widower Mr Tanqueray and some of his long time professional friends. All are upper class members of British Society, and are very disturbed when they learn of the upcoming second marriage of Tanqueray to a Mrs Paula Jarman, a lower class woman with a known sexual past.
As the play progresses we see the misery of the mismatched couple and their shared efforts to foster a bond between the young, but impeccably proper Miss Eillean Tanqueray and her young unhappy stepmother. This is compromised when Mrs Tanqueray learns the identity of her stepdaughter's fiancé; he is the man who ruined her, years ago. She reveals her knowledge to her husband, who prevents the marriage and alienates his daughter. This alienation spreads and husband and wife, father and daughter, step-parent and child are all angered and alone. When the daughter learns the reasons behind her disappointment she is struck with pity and makes a speech about trying again with her stepmother, only to go to her and find her dead, apparently by suicide.
Read more about this topic: The Second Mrs Tanqueray
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“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
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—Charles Dickens (1812–1870)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)