The Paper Chase (film) - Reception

Reception

Vincent Canby wrote the film "goes slowly soft like a waxwork on a hot day, losing the shape and substance that at the beginning have rightfully engaged our attention"; he concludes "it takes a long while for The Paper Chase to disintegrate, and there are some funny, intelligent sequences along the way, but by the end it has melted into a blob of clichés." Jay Cocks called it a movie of "some incidental pleasures and insights and a great deal of silliness":

"What Bridges catches best is the peculiar tension of the classroom, the cool terror that can be instilled by an academic skilled in psychological warfare. His Ivy League Olympian is Kingsfield, a professor of contract law who passes along scholarship with finely tempered disdain. In an original bit of casting, Kingsfield is played by veteran theater and film producer John Houseman. It is a forbidding, superb performance, catching not only the coldness of such a man but the patrician crustiness that conceals deep and raging contempt."

John Houseman was awarded Best Supporting Actor at the 46th Academy Awards and the same award from the National Board of Review. Bridges was nominated for a Best Adapted Screenplay Oscar, losing to William Peter Blatty, who won for adapting his novel into the screenplay for The Exorcist. Donald O. Mitchell and Larry Jost received an Academy Award nomination for Best Sound. In spite of Houseman's awards, the University of Chicago Law School calls his rendition of the Socratic method "over-the-top", telling prospective students:

"John Houseman may have won an Oscar for his impressive performance, but if anyone ever did teach a law school class like his Professor Kingsfield, no one at Chicago does today. Instead, our students discover quickly that the Socratic Method is a tool and a good one at that used to engage a large group of students in a discussion, while using probing questions to get at the heart of the subject matter. The Socratic Method is not used at Chicago to intimidate, nor to "break down" new law students, but instead for the very reason Socrates developed it: to develop critical thinking skills in students and enable them to approach the law as intellectuals."

Over three decades later, the American Film Institute included the film in its AFI's 100 Years...100 Cheers list.

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