Submillimetre Astronomy From Space
| Comparison | |||||||
| Name | Year | Wavelength | Aperture | ||||
|---|---|---|---|---|---|---|---|
| Human Eye | - | 0.39-0.75 μm | 0.01 m | ||||
| SWAS | 1998 | 540 - 610 μm | 0.55 - 0.7 | ||||
| Herschel | 2009 | 55-672 μm | 3.5 m | ||||
Space-based observations at the submillimetre wavelengths remove the ground-based limitations of atmospheric absorption. The Submillimeter Wave Astronomy Satellite (SWAS) was launched into low Earth orbit on December 5, 1998 as one of NASA's Small Explorer Program (SMEX) missions. The mission of the spacecraft is to make targeted observations of giant molecular clouds and dark cloud cores. The focus of SWAS is five spectral lines: water (H2O), isotopic water (H218O), isotopic carbon monoxide (13CO), molecular oxygen (O2), and neutral carbon (C I).
The SWAS satellite was repurposed in June, 2005 to provide support for the NASA Deep Impact mission. SWAS provided water production data on the comet until the end of August 2005.
The European Space Agency launched a space-based mission known as the Herschel Space Observatory (formerly called Far Infrared and Sub-millimetre Telescope or FIRST) in 2009. Herschel deploys the largest mirror ever launched into space and studies radiation in the far infrared and submillimetre wavebands. Rather than an Earth orbit, Herschel entered into a Lissajous orbit around L2, the second Lagrangian point of the Earth-Sun system. L2 is located approximately 1.5 million km from Earth and the placement of Herschel there lessens the interference by infrared and visible radiation from the Earth and Sun. Herschel's mission focuses primarily on the origins of galaxies and galactic formation.
Read more about this topic: Submillimetre Astronomy
Famous quotes containing the words astronomy and/or space:
“It is noticed, that the consideration of the great periods and spaces of astronomy induces a dignity of mind, and an indifference to death.”
—Ralph Waldo Emerson (1803–1882)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)