A studio audience is an audience present for the taping of all or part of a television program. The primary purpose of the studio audience is to provide applause and/or laughter to the program's soundtrack (as opposed to canned laughter). A studio audience can also provide volunteers, a visual backdrop and discussion participants. On some game shows, contestants are taken from the studio audience, such as with The Price Is Right.
In some cases, a studio audience can be called upon to vote, to help a contestant (such as with Who Wants to Be a Millionaire?) or pass judgment on a politician, for example.
In the United States, tickets to be a part of a studio audience are usually given away for free as opposed to being paid admission. As an enticement to attend, one or more members of the audience may be selected to win a prize, which is usually provided by a manufacturer in exchange for an advertisement, usually at the end of the show.
For comedy television shows like All in the Family, Saturday Night Live and Happy Days (For indoor scenes), the use of a live studio audiences essentially turns them into de facto stage productions while shooting individual scenes, with minor problems like audience applauding when favorite performers enter the stage.
Famous quotes containing the words studio and/or audience:
“Again and again, I struggled though the storm. Once I fainted—and it wasn’t in the script. I was hauled to the studio on a sled, thawed out with hot tea, and then brought back to the blizzard, where the others were waiting. We filmed all day and all night, stopping only to eat standing near a bonfire. We never went inside.... The blizzard never slackened.”
—Lillian Gish (1896–1993)
“The problem of the novelist who wishes to write about a man’s encounter with God is how he shall make the experience—which is both natural and supernatural—understandable, and credible, to his reader. In any age this would be a problem, but in our own, it is a well- nigh insurmountable one. Today’s audience is one in which religious feeling has become, if not atrophied, at least vaporous and sentimental.”
—Flannery O’Connor (1925–1964)