Special Effects Of The Lord Of The Rings Film Trilogy
The Lord of the Rings film series used many groundbreaking practical and digital visual effects. The first film has around 540 effects shots, the second 799, and the third 1488 (2730 in total). The total moves up to 3420 with the extended cuts. 260 visual effects artists worked on the trilogy, and the number would double by The Two Towers. The crew, led by Jim Rygiel and Randy Cook, would work long and hard hours overnight to produce special effects within a short space of time, especially with Jackson's active imagination. For example, they produced several major shots of Helm's Deep within the last six weeks of post-production of The Two Towers, and the same number of shots for The Two Towers within the last six weeks on The Return of the King. Despite WETA being the major stylistic force behind the films, a single scene where Arwen confronts the Black Riders in The Fellowship of the Ring was done by Digital Domain.
Read more about Special Effects Of The Lord Of The Rings Film Trilogy: Scale, Miniatures, Animation, Programs, See Also
Famous quotes containing the words special, effects, lord, rings and/or film:
“History repeats itself, but the special call of an art which has passed away is never reproduced. It is as utterly gone out of the world as the song of a destroyed wild bird.”
—Joseph Conrad (18571924)
“One of the effects of a safe and civilised life is an immense oversensitiveness which makes all the primary emotions somewhat disgusting. Generosity is as painful as meanness, gratitude as hateful as ingratitude.”
—George Orwell (19031950)
“If only we had died by the hand of the LORD in the land of Egypt, when we sat by the fleshpots and ate our fill of bread...”
—Bible: Hebrew, Exodus 16:3.
The Israelites.
“You held my hand
and were instant to explain
the three rings of danger.”
—Anne Sexton (19281974)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (18881959)