Sharon Ott - Berkeley Repertory Theater

Berkeley Repertory Theater

In 1984, Sharon Ott became artistic director of the Berkeley Repertory Theater, in Berkeley, California. During her 13 years in that position, she increased the company's budget from $1.5 million to over $5 million, built the audience to 15,000 subscribers, and improved the company's reputation to win the Regional Theatre Tony Award for Excellence in 1997. She worked with author Philip Kan Gotanda, directing world premieres of Yankee Dawg You Die, and The Ballad of Yachiyo, as well as a production of The Wash in New York and Los Angeles. Ott also directed an adaptation of Maxine Hong Kingston's The Woman Warrior that premiered at Berkeley Rep before moving on to productions in Boston and Los Angeles. She directed the national tour of Anna Deveare Smith's Twilight: Los Angeles which started in San Francisco before touring to Boston, Houston, Seattle, New Haven, and Washington, DC where it was performed at the Ford's Theater with then President Bill Clinton and Vice-President Al Gore in attendance.

Read more about this topic:  Sharon Ott

Famous quotes containing the words berkeley, repertory and/or theater:

    It would much conduce to the public benefit, if, instead of discouraging free-thinking, there was erected in the midst of this free country a dianoetic academy, or seminary for free-thinkers, provided with retired chambers, and galleries, and shady walks and groves, where, after seven years spent in silence and meditation, a man might commence a genuine free-thinker, and from that time forward, have license to think what he pleased, and a badge to distinguish him from counterfeits.
    —George Berkeley (1685–1753)

    Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players, and Tennessee Williams has about 5, and Samuel Beckett one—and maybe a clone of that one. I have 10 or so, and that’s a lot. As you get older, you become more skillful at casting them.
    Gore Vidal (b. 1925)

    Since people no longer attend church, theater remains as the only public service, and literature as the only private devotion.
    Franz Grillparzer (1791–1872)