Dramatic Works
| Title | Year of Premier | Location of Premier | Year Published |
|---|---|---|---|
| The Diversions of the Morning or, A Dish of Chocolate (revised as A Cup of Tea) | 1747 | Haymarket | ---- |
| An Auction of Pictures | 1748 | Haymarket | ---- |
| The Knights | 1748 | Drury Lane | 1754 |
| Taste | 1752 | Drury Lane | 1752 |
| An Englishman in Paris | 1753 | Covent Garden | 1753 |
| A Writ of Inquiry on the Inquisitor General | 1754 | Haymarket | ---- |
| The Englishman Returned from Paris | 1756 | Covent Garden | 1756 |
| The Green-Room Squabble or a Battle Royal between the Queen of Babylon and the Daughter of Darius | 1756 | Haymarket | Lost |
| The Author | 1757 | Drury Lane | 1757 |
| The Minor | 1760 | Haymarket | 1760 |
| Tragedy a la Mode (alternative act 2 for Diversions) | 1760 | Drury Lane | 1795 |
| The Lyar | 1762 | Covent Garden | 1764 |
| The Orators | 1762 | Haymarket | 1762 |
| The Mayor of Garrett | 1763 | Haymarket | 1764 |
| The Trial of Samuel Foote, Esq. for a Libel on Peter Paragraph | 1763 | Haymarket | 1795 |
| The Patron | 1764 | Haymarket | 1764 |
| The Commissary | 1765 | Haymarket | 1765 |
| The Devil on Two Sticks | 1768 | Haymarket | 1778 |
| The Lame Lover | 1770 | Haymarket | 1771 |
| The Maid of Bath | 1771 | Haymarket | 1771 |
| The Nabob | 1772 | Haymarket | 1778 |
| Piety in Pattens | 1773 | Haymarket | 1973 |
| The Bankrupt | 1773 | Haymarket | 1776 |
| The Cozeners | 1774 | Haymarket | 1776 |
| A Trip to Calais (revised as The Capuchin) | 1776 | Haymarket | 1778 |
Read more about this topic: Samuel Foote
Famous quotes containing the words dramatic and/or works:
““The unities, sir,’ he said, “are a completeness—a kind of universal dovetailedness with regard to place and time—a sort of general oneness, if I may be allowed to use so strong an expression. I take those to be the dramatic unities, so far as I have been enabled to bestow attention upon them, and I have read much upon the subject, and thought much.””
—Charles Dickens (1812–1870)
“My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
—Hannah More (1745–1833)