Pectoralis Major Muscle - Additional Images

Additional Images

  • Superficial muscles of the chest and front of the arm.

  • Muscles of the trunk.

  • Anterior surface of sternum and costal cartilages.

  • Left clavicle. Superior surface.

  • Left clavicle. Inferior surface.

  • Left humerus. Anterior view.

  • The axillary artery and its branches.

  • The brachial artery.

  • The veins of the neck, viewed from in front.

  • The right brachial plexus with its short branches, viewed from in front.

  • The right brachial plexus (infraclavicular portion) in the axillary fossa; viewed from below and in front.

  • Nerves of the left upper extremity.

  • The left side of the thorax.

  • Surface anatomy of the front of the thorax and abdomen.

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

  • Pectoralis major muscle

Read more about this topic:  Pectoralis Major Muscle

Famous quotes containing the words additional and/or images:

    The mere existence of an additional child or children in the family could signify Less. Less time alone with parents. Less attention for hurts and disappointments. Less approval for accomplishments. . . . No wonder children struggle so fiercely to be first or best. No wonder they mobilize all their energy to have more or most. Or better still, all.
    Adele Faber (20th century)

    The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world of its own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.
    Walter Pater (1839–1894)