Comparison
A comparison of currently active film rating systems, showing age on the horizontal axis. Note however that the specific criteria used in assigning a classification can vary widely from one country to another. Thus a color code or age range cannot be directly compared from one country to another.
Country/System | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Adult | Other | Notes |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Atp | 13 | 16 | 18 | N/A | |||||||||||||||||
ACB | G | PG | M | MA15+ | R18+ | X18+ | RC | ||||||||||||||
MJ/DEJUS | L | 10 | 12 | 14 | 16 | 18 | N/A | ||||||||||||||
KT/EA | KNT/ENA | E | |||||||||||||||||||
A | B | C | D | X | F | ||||||||||||||||
CHVRS and MFCB | G | PG | 14A/18A | R | E | ||||||||||||||||
Adult | |||||||||||||||||||||
MoC | T | 7 | 12 | 15 | 18/X | Banned | |||||||||||||||
U | 12 | 15 | 18 | N/A | |||||||||||||||||
Medierådet | A | 7 | 11 | 15 | F | ||||||||||||||||
General Audience (Unrestricted) | Adult (Restricted) | N/A | |||||||||||||||||||
PERE | L | MS-6 | K-12 | K-14 | K-16 | N/A | |||||||||||||||
MS-12 | |||||||||||||||||||||
FBFC | S | K-7 | K-12 | K-16 | K-18 | N/A | |||||||||||||||
Country/System | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Adult | Other | Notes |
MoC | U | -10 | -12 | -16 | -18 | N/A | |||||||||||||||
FSK | FSK 0 | FSK 6 | FSK 12 | FSK 16 | FSK 18 | N/A | |||||||||||||||
K | K-13 | K-17 | N/A | ||||||||||||||||||
TELA | I | IIA | IIB | III | N/A | ||||||||||||||||
NMHH | KN | 6 | 12 | 16 | 18 | X | N/A | ||||||||||||||
Smáís | L | 7 | 12 | 14 | 16 | 18 | N/A | ||||||||||||||
CBFC | U | UA | A | S | |||||||||||||||||
IFCB | A/SU | BO-A | BO | BO-R/R | D | N/A | |||||||||||||||
IFCO | G | 12/12A | 18 | N/A | |||||||||||||||||
PG | |||||||||||||||||||||
MiBAC | T | VM14 | VM18 | N/A | |||||||||||||||||
Eirin | G | PG-12 | R15+ | R18+ | N/A | ||||||||||||||||
Country/System | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Adult | Other | Notes |
К | Б14 | Е16 | Е16 (16+) | Е18 | НА | N/A | |||||||||||||||
БА | |||||||||||||||||||||
ALL | 12 | 15 | 18 | Restricted Rating | |||||||||||||||||
NCC | U | 7+ | 12+ | 16+ | 18+ | N/A | |||||||||||||||
Film Censorship Board | C/U | P13 | 18 | Banned | |||||||||||||||||
NBC | G | PG | 12+ | 15+ | PU | ||||||||||||||||
RTC | AA | A | B | B-15 | C | D | N/A | ||||||||||||||
Kijkwijzer | AL | 6 | 9 | 12 | 16 | N/A | |||||||||||||||
OFLCNZ | G | PG | R13/R15/R16 | R18 | N/A | ||||||||||||||||
M | |||||||||||||||||||||
NFaVCB | G | PG | 12/12A | 15 | 18 | N/A | |||||||||||||||
A | 7 | 11 | 15 | 18 | N/A | ||||||||||||||||
Apt | 14 | 18 | N/A | ||||||||||||||||||
MTRCB | GP | R-13 | R-16 | R-18 | X | ||||||||||||||||
PG-13 | |||||||||||||||||||||
KRRiT | BO | 7 | 12 | 15 | 18A | 18 | N/A | ||||||||||||||
Country/System | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Adult | Other | Notes |
CCE | M/4 | M/6 | M/12 | M/16 | M/18 | N/A | |||||||||||||||
MoC | 0+ | 6+ | 12+ | 14+ | 16+ | 18+ | Banned | ||||||||||||||
MDA | G | PG/PG13 | NC16 | M18 | R21 | N/A | |||||||||||||||
FaPB | G | PG | 13 | 16 | R18/X18 | N/A | |||||||||||||||
Statens medieråd | Btl | 7 | 11 | 15 (Unrated) |
N/A | ||||||||||||||||
GIO | 普 (General) |
護 (Protect) |
輔 (Counsel) |
限 (Restrict) |
N/A | ||||||||||||||||
P/G | 13+ | 15+ | 18+ | 20+ | Banned | ||||||||||||||||
BBFC | U | PG | 12\12A | 15 | 18\R18 | Rejected | |||||||||||||||
MPAA | G | PG | PG-13 | R | NC-17 | NR (Not Rated) Unrated |
|||||||||||||||
FAB | C/F | PD | PD-M | EM | AO | N/A | |||||||||||||||
CAC | G | PG | 12 | 16 | 18 | 21 | |||||||||||||||
CHVRS (1994–2005) | G | PG/DP | 14 | 18 | XXX | NA (Not Approved) | |||||||||||||||
Country/System | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Adult | Other | Notes |
Read more about this topic: Motion Picture Rating System
Famous quotes containing the word comparison:
“Most parents arent even aware of how often they compare their children. . . . Comparisons carry the suggestion that specific conditions exist for parental love and acceptance. Thus, even when one child comes out on top in a comparison she is left feeling uneasy about the tenuousness of her position and the possibility of faring less well in the next comparison.”
—Marianne E. Neifert (20th century)
“[Girls] study under the paralyzing idea that their acquirements cannot be brought into practical use. They may subserve the purposes of promoting individual domestic pleasure and social enjoyment in conversation, but what are they in comparison with the grand stimulation of independence and self- reliance, of the capability of contributing to the comfort and happiness of those whom they love as their own souls?”
—Sarah M. Grimke (17921873)
“What is man in nature? A nothing in comparison with the infinite, an all in comparison with the nothinga mean between nothing and everything.”
—Blaise Pascal (16231662)