Mimetic

Mimetic

Mimesis (Ancient Greek: μίμησις (mīmēsis), from μιμεῖσθαι (mīmeisthai), "to imitate," from μῖμος (mimos), "imitator, actor") is a critical and philosophical term that carries a wide range of meanings, which include imitation, representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act of resembling, the act of expression, and the presentation of the self.

In ancient Greece, mimesis was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted mimesis, or imitation, with diegesis, or narrative. After Plato, the meaning of mimesis eventually shifted toward a specifically literary function in ancient Greek society, and its use has changed and been reinterpreted many times since then.

One of the best-known modern studies of mimesis, understood as a form of realism in the arts, is Erich Auerbach's Mimesis: The Representation of Reality in Western Literature. Published in 1946 and written while the author was in exile from Nazi Germany, the book opens with a famous comparison between the way the world is represented in Homer's Odyssey and the way it appears in the Bible. From these two seminal Western texts, Auerbach builds the foundation for a unified theory of representation that spans the entire history of Western literature, including the Modernist novels being written at the time Auerbach began his study.

The Frankfurt school critical theorist T. W. Adorno made use of mimesis as a central philosophical term, interpreting it as a way in which works of art embodied a form of reason that was non-repressive and non-violent.

Mimesis has been theorised by thinkers as diverse as Plato, Aristotle, Philip Sidney, Samuel Taylor Coleridge, Adam Smith, Sigmund Freud, Walter Benjamin, Theodor Adorno, Erich Auerbach, Luce Irigaray, René Girard, Nikolas Kompridis, Philippe Lacoue-Labarthe, Michael Taussig, Merlin Donald, and Homi Bhabha.

Read more about Mimetic:  Samuel Taylor Coleridge, Luce Irigaray, Michael Taussig

Other articles related to "mimetic":

Girard's Mimetic Double Bind
... René Girard, in his literary theory of mimetic desire, proposes what he calls a “model-obstacle”, a role model who demonstrates an object of desire and yet ... According to Girard, the “internal mediation” of this mimetic dynamic “operates along the same lines as what Gregory Bateson called the ‘double bind’.” Girard found in Sigmund Freud's ... to serve as prototypes for his own analysis of the mimetic double bind ...
Eric Gans - Generative Anthropology - Background
... that Gans became interested in Girard's idea of mimetic desire and the connection between violence and the sacred in Girard's work ... The concept of mimetic desire forms one of the cornerstones of Generative Anthropology ... In a group, this mimetic conflict typically escalates into a mimetic crisis which threatens the very existence of the group ...
Mimetic - Michael Taussig
... Taussig, however, criticises anthropology for reducing yet another culture, that of the Cuna, for having been so impressed by their exotic (and superior) technologies of the whites, that they raised them to the status of gods ... To Taussig, this reductionism is suspect, and he argues thus from both sides in his Mimesis and Alterity to see values in the anthropologists' perspective, at the same time as defending the independence of a lived culture from anthropological reductionism ...
René Girard
... He is the author of nearly thirty books (see below), in which he developed the ideas of mimetic desire all of our desires are borrowed from other people mimetic rivalry all conflict originates in mimetic desire ...
Godannar - Background
... In 2042, alien threats known as the Mimetic beasts (擬態獣, gitaijū?) laid waste to Japan ... During a final battle against the Mimetic beasts, Goh Saruwatari defeats the alien "boss" and saves his fiance, Anna Aoi, with his robot, the Dannar ... Now, on their wedding ceremony, the Mimetic beasts emerge after five years of tranquility ...