Art
Her baskets were of post-removal Cherokee basket patterns and materials, but with her own personal element such as painted elements and attached elements such as feathers and beads, baskets that honored legends, and baskets in the shape of clay pots. Most were double-walled.
She gathered her own materials and learned to make her own dyes from nut hulls, berries, and leaves, mostly obtained from her mother's allotment land near Tahlequah in Eastern Oklahoma. Basket materials she used included buckbrush, reed, honeysuckle runners, white oak splits, ash splits, rivercane, and cattail leaves. In addition to a wide range of natural dyes, Doering also experimented with brilliant aniline dyes.
Read more about this topic: Mavis Doering
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“In contrast to the flux and muddle of life, art is clarity and enduring presence. In the stream of life, few things are perceived clearly because few things stay put. Every mood or emotion is mixed or diluted by contrary and extraneous elements. The clarity of art—the precise evocation of mood in the novel, or of summer twilight in a painting—is like waking to a bright landscape after a long fitful slumber, or the fragrance of chicken soup after a week of head cold.”
—Yi-Fu Tuan (b. 1930)
“Ill-weaved ambition, how much art thou shrunk!
When that this body did contain a spirit,
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But now two paces of the vilest earth
Is room enough.”
—William Shakespeare (1564–1616)