Mary Douglas - Works

Works

  • Peoples of the Lake Nyasa Region (1950) as Mary Tew
  • The Lele of the Kasai (1963)
  • Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1966)
  • "Pollution", in International Encyclopedia of the Social Sciences, edited by David L. Sills and Robert K. Merton (New York, Macmillan Co. and the Free Press, 1968).
  • Natural Symbols: Explorations in Cosmology (1970)
  • Rules and Meanings. The Anthropology of Everyday Knowledge: Selected Readings, edited by Mary Douglas (Penguin Books, 1973).
  • Implicit Meanings: Essays in Anthropology (1975). The essay "Jokes" was reprinted in Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies, edited by Chandra Mukerji and Michael Schudson (1991), 291-310.
  • The World of Goods (1979) with Baron Isherwood
  • Evans-Pritchard (Fontana Modern Masters, 1980)
  • Risk and Culture (1980) with Aaron Wildavsky
  • In the Active Voice (1982)
  • How Institutions Think (1986)
  • Constructive Drinking: Perspectives on Drink from Anthropology, edited by Mary Douglas (1987)
  • Missing persons: a critique of the social sciences (1988) with Steven Ney
  • Risk and Blame: Essays in Cultural Theory (London: Routledge, 1992).
  • In the Wilderness: The Doctrine of Defilement in the Book of Numbers (1993)
  • Thought styles: Critical essays on good taste (1996)
  • Leviticus as Literature (1999)
  • Jacob's Tears: The Priestly Work of Reconciliation (2004)
  • Thinking in Circles (2007)

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Famous quotes containing the word works:

    No one after lighting a lamp puts it under the bushel basket, but on the lampstand, and it gives light to all in the house. In the same way, let your light shine before others, so that they may see your good works and give glory to your Father in heaven.
    Bible: New Testament, Matthew 5:15,16.

    Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
    Thomas Mann (1875–1955)

    Most works of art, like most wines, ought to be consumed in the district of their fabrication.
    Rebecca West (1892–1983)