Creation and Conception
Misao was introduced because Watsuki felt that the Kyoto arc needed an extra heroine character to interact with Kenshin since Kenshin and Kaoru were separate. He created Misao to be as "bright" as possible since the story was scheduled to be "in a dark direction." Watsuki added that "It's though Yahiko + Kaoru / 2 = Misao." The author of Rurouni Kenshin gave her an association with the Oniwabanshū, stemming from the reader suggestion of an Oniwabanshū kunoichi. To prevent additional complications in the storyline, Watsuki wanted Misao as a character who would not develop romantic feelings for Kenshin. Her design originates from Nakoruru in Samurai Shodown (Samurai Spirits); according to Watsuki he received criticism for this. Watsuki believes that she is closer to Mai Shiranui and Yuri Sakazaki from another SNK "battle-game." According to Watsuki the setup of the physical design occurred very quickly as he "fussed" with an Oniwabanshū ninja outfit "a bit." Watsuki intended for Misao's face and body to resemble that of a young man. While Misao is 16, Watsuki wanted her to appear like a 13-year old. Watsuki argued with his editors about the inclusion of Misao's braid. Ultimately it was kept since it added emphasis to Misao's movements. Watsuki said that he added the cloak "just for fun." The creator of Rurouni Kenshin intended for her to have a "painful" encounter with Aoshi in the future, but that Misao would "keep going strong." Watsuki said that he enjoyed drawing Misao. Her family name originates from a place where Watsuki lived in Niigata.
Read more about this topic: Makimachi Misao
Famous quotes containing the words creation and/or conception:
“For a woman to get a rewarding sense of total creation by way of the multiple monotonous chores that are her daily lot would be as irrational as for an assembly line worker to rejoice that he had created an automobile because he tightened a bolt.”
—Edith Mendel Stern (1901–1975)
“We are weighed down, every moment, by the conception and the sensation of Time. And there are but two means of escaping and forgetting this nightmare: pleasure and work. Pleasure consumes us. Work strengthens us. Let us choose.”
—Charles Baudelaire (1821–1867)