List Of Nabari No Ou Characters
The Nabari no Ou anime and manga series features an extensive cast of characters created by Yuhki Kamatani. The series takes place in a modern-day Japan where the ninja world of Nabari (隠の世?, lit. World of Concealment) is hidden from the surface world, a name given to the world unaware of Nabari. The series' storyline follows Miharu Rokujou, a 14-year-old student who unknowingly possesses a powerful secret art within him, and his introduction into Nabari upon his power's activation.
The protagonist of the series Miharu Rokujou remembers nothing of his childhood and lost his parents at an early age. However, he is not concerned by this and strives to live a normal life. This plan is compromised when Miharu is attacked by real ninja and Koichi Aizawa and Tobari Kumohira come to his aid. There, Miharu learns about the hidden ninja world of Nabari and the Shinra Banshou, a powerful secret art containing all of the world's knowledge, which resides inside of him. This secret art is so powerful, the possessor is revered as the King of Nabari and is sorely coveted after. To protect himself, Miharu is forced to join his school's Nindō club managed by his two protectors. Kumohira vows to find a way to remove the secret art from Miharu. Until then, Kumohira, Aizawa, and Raimei Shimizu, a samurai from their ally the Fuuma Village, must protect Miharu from the Grey Wolves, a squad of elite ninja who lead the search for the secret art, and foil the Grey Wolves' attempts to gather each ninja village's kinjutsushō (禁術は?, lit. Forbidden Technique).
Read more about List Of Nabari No Ou Characters: Banten Village, Fuuma Village, Kiroushu/Iga, Reception
Famous quotes containing the words list of, list and/or characters:
“Religious literature has eminent examples, and if we run over our private list of poets, critics, philanthropists and philosophers, we shall find them infected with this dropsy and elephantiasis, which we ought to have tapped.”
—Ralph Waldo Emerson (1803–1882)
“Feminism is an entire world view or gestalt, not just a laundry list of women’s issues.”
—Charlotte Bunch (b. 1944)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)