La Púrpura de La Rosa - Performance History

Performance History

The Viceroy of Peru, Don Melchor Portocarrero y Lasso de la Vega, instructed Torrejón to compose a piece of dramatic music for the colony's celebration of King Philip V's 18th birthday and the first anniversary of his succession to the throne. La púrpura de la rosa was chosen as the subject. The work premiered on 19 October 1701 in the Palace of the Viceroy, Lima. The opera was revived in 1707, 1708, and 1731 in Peru and somewhat later in Mexico and has had several performances in modern times.

Its US premiere took place at Rosary College outside Chicago on 26 June 1992 in a production by the Baroque music ensemble Ars Musica Chicago. (Andrew Schultze, director & musicologist; Stephen Blackwelder, music director; Kate Lanham, choreographer) and soon thereafter at the Aveda Institute in Minneapolis on 28 October 1994 in a production by the baroque ensemble Ex Machina. (James Middleton, director; Bob Skiba, choreographer; Barbara Weiss, music director; Louise Stein, musicologist/adviser).

In October 1999, there were performances at Le Bâtiment des Forces Motrices in Geneva and in Santiago, Chile. The Santiago performance by the ensemble Syntagma Musicum (conducted by Alejandro Reyes) marked the 150th anniversary of the Universidad de Santiago de Chile. The opera was also performed at the Teatro de la Zarzuela in Madrid in November 1999 in a co-production by the Teatro de La Zarzuela and the Grand Théâtre de Genève. (Óscar Araiz, director and choreographer; Gabriel Garrido, conductor). La púrpura de la rosa received its British stage premiere at the University of Sheffield Drama Studio on 27 February 2003, conducted and directed by Andrew Lawrence-King. The production received two more performances in Sheffield before touring to Manchester, Nottingham, Galway, and Dublin.

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