Movies
| Year | Title | Role | Notes |
| 1990 | Pido Dida: Sabay Tayo | Dida | |
| 1991 | Pangako sa Puso | ||
| Shake Rattle & Roll 3 | Tanya | (segment "Yaya") | |
| Pido Dida: Kasal Na | Dida | ||
| Ang Siga at ang Sosyal | Candace | ||
| Magic To Win 5 | Kathy | Also known as Happy Ghost V | |
| 1992 | Pido Dida 3: May Kambal na | Dida | |
| Mahal Kita Walang Iba | Trixie | ||
| My Funny Valentine | Lauren | ||
| 1993 | Vizconde Massacre | Carmela Vizconde(Ma.Carmela N. Vizconde) | |
| Humanda Ka Mayor | |||
| Geron Olivar | |||
| 1994 | The Elsa Castillo Story... Ang Katotohanan | Elsa Castillo | |
| Nandito Ako | Marissa | ||
| Myrna Diones Story | Myrna Diones | ||
| Tasya Fantasia | Tasya | ||
| The Fatima Buen Story | Fatima Buen | ||
| Bakit Pa Kita Minahal | |||
| 1995 | Saan Ako Nagkamali | ||
| 1998 | Hiwaga ng Panday | Emily | |
| 2000 | Eto Na Naman Ako | Herself | Cameo |
| 2002 | JOLOGS | Herself | Cameo |
| Mano Po | Juliet Go-Co | Metro Manila Film Festival for Best Supporting Actress PASADO Award for Best Supporting Actress PMPC Star Award for Movies for Best Supporting Actress FAMAS Award for Best Supporting Actress KAPPT Award for Best Supporting Actress |
|
| Dekada '70 | Student leader | Cameo | |
| 2003 | You and Me Against the World | Diana Rivero | |
| Mano Po 2: My Home | Young Sol Tan | ||
| 2004 | Feng Shui | Joy Ramirez | |
| So Happy Together | Lianne | ||
| 2006 | Sukob | Sandy | 3rd Highest-grossing Filipino film of all time |
| 2009 | Mano Po 6: A Mother's Love | Vivian Go Chan | |
| 2010 | Dalaw | Stella | |
| 2011 | Segunda Mano | Mabel Domingo | |
| 2012 | Kimmy Dora and the Temple of Kiyeme | Herself/Cameo | |
| Sisteraka | TBA |
|- |}
Read more about this topic: Kris Aquino, Filmography
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Famous quotes containing the word movies:
“One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless.... They have put into practise the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.”
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“The popularity of disaster movies ... expresses a collective perception of a world threatened by irresistible and unforeseen forces which nevertheless are thwarted at the last moment. Their thinly veiled symbolic meaning might be translated thus: We are innocent of wrongdoing. We are attacked by unforeseeable forces come to harm us. We are, thus, innocent even of negligence. Though those forces are insuperable, chance will come to our aid and we shall emerge victorious.”
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